Elogio della Pazzia.

A cura di Luigi Firpo. Torino, UTET Ed. 1967, cm.18x24, pp.208, numerose facsimili, illustrazioni bn.e tavole a colori fuori testo, legatura editoriale cartonata. Collana Strenna,1968.

Con 22 litografie a colori dalla "festa degli Arceri" del Maestro di Francoforte e da "Quaresima e Carnevale" della scuola di Bosch. A cura di GP.Brega. Milano, Feltrinelli Ed. 1959, cm.13,5x21, pp.792, legatura ed.in tutta tela,e cofanetto con piatti figg.a colori. Tagli sueriore, inferiore e laterale di colore nero. Impaginagione di Albe Steiner, Esemplare in ottimo stato.

A cura di Tommaso Fiore. Introduz.di Delio Cantimori. Torino, Einaudi Ed. 1967,1984, cm.12x18,5, pp.XXXII-144, legatura ed. sopracop. Collana N.U.E.,39.

A cura di Franco Gaeta. L'Aquila, Japadre Ed. 1968, cm.12,5x20, pp.189, brossura copertina figurata in bianco e nero.

Pimlico 1997, cm.19x24,5, pp.498, brossura copertina figurata a colori. This fresh penetrating and beautifully illustrated study is part history, part guide and part celebration. Michael Levey surveys the physical evolution and enhancement of Florence over the centuries, from medieval republican times to the beginning of the nineteenth century. While discussing artefacts of all kinds - a cameo or reliquary no less than great buildings and other major works of art -he also considers some of the chief personalities who have contributed to the physical appearance of the city we see today. Renaissance Florence is a familiar phenomenon, given its due place in stimulating, detailed discussion here. But much less well known is the city which developed onwards from the late sixteenth century, which the author warmly champions, with its own great, sometimes opulent artistic achievements. In this magnificent book, the famous and apparently familiar emerges with new vividness and clarity to