Prussia. Art and Architecture.

Vol.I: Dal crollo della società schiavistica alle ripercussioni in Italia della Rivoluzione francese. Vol.II: Il Risorgimento italiano. Vol.III: L'Italia da principio degli anni settanta all'inizio della dittatura fascista. Milano, La Pietra Ed. 1961-1969, 3 voll. cm.15,5x21,5, pp.694,818,604, 23 tavv.a coll.ft. legature editoriali in tutta tela, sopracopp. trasparenti.

Catania, C.U.E.C.M. 1998, cm.15,5x22, pp.214, 59 figg.bn.nt. brossura cop.fig.a col. testo in inglese.

Verona, Mondadori Ed. 1952, cm.11,5x18, pp.160, 118 tavv.bn.e 4 a col. legatura ed. Coll.Biblioteca Moderna,291.

Princeton University Press 2009, cm.15,5x23, pp.292, brossura con copertina figurata. In ancient Athens, where freedom of speech derived from the power of male citizenship, women's voices were seldom heard in public. Female speech was more often represented in theatrical productions through women characters written and enacted by men. In Spoken Like a Woman, the first book-length study of women's speech in classical drama, Laura McClure explores the discursive practices attributed to women of fifth-century b.c. Greece and to what extent these representations reflected a larger reality. Examining tragedies and comedies by a variety of authors, she illustrates how the dramatic poets exploited speech conventions among both women and men to construct characters and to convey urgent social and political issues. From gossip