Muhammadan Architecture in Egypt and Palestine. Unabridged republication of the first edition (Oxford, at the Clarendon Press,1924).

New York, 1334 York Avenue at 72nd Street; Thursday October 28, 1999. New York, Sotheby's 1999, cm.21,5x27,5, p.394,(2), numerose ill. e tavv. in bn. e a colori nt., legatura ed. in tutta tela bordeaux, ill. a colori applicata al piatto ant., titoli in oro al piatto ant. e al dorso.

Oxford, Oxford University Press 2000, cm.14x22, pp.257, legatura editoriale, sopraccoperta figurata a colori. Animals and wild men are everywhere in medieval culture, but their role in illuminating medieval constructions of humanity has never been properly explored. This book gathers together a large number of themes and subjects (including Bestiary, heraldry, and hunting), and examines them as part of a unified discourse about the body and its creative transformations. Human and animal are terms traditionally opposed to one another, but their relationship must always be characterized by a dynamic instability. Humans scout into the animal zone, manipulating and re-shaping animal bodies in accordance with their own social imagining–yet these forays are risky since they lead to questions about what humanity consists in, and whether it can ever be forfeited. Studies of birds, foxes, game animals, the wild man, and shape-shifting women fill out the argument of this book, which sheds new light on works by Chaucer, Gower, the Gawain-poet, and Henryson, as well as showing that many less familiar texts have rewards that an informed reading can reveal.