The Northern Landscape. Flemish, Dutch and British Drawings from the Courtauld Collections.

Milano, Silvana Editoriale 1960, cm.27,5x39, pp.188 ca delle quali 94 di tavv. con nota catalografica a fronte, da riproduzioni a col. o in nero. legatura ed.in tutta tela,soprac.fig. Alcuni degli Artisti di cui sono riportate le riprod.: David Cox, R. P. Bonigton, Dante Gabriele Rossetti, Sir Edward Burne Jones, , Ingres, Delacroix, Victor Hugo, Gustave Dore', Diaz de la Pena, Theodore Rousseau, Corot, Millet, Daumier, Paul Gavarni, C. Guys, Carpeaux, Manet, Renoir, Bonnard, e molti Altri.

Bologna, 28 ottobre-17 novembre 1968 - Londra, 25 novembre-15 dicembre 1968. A cura di Giorgio e Armando Neerman. Firenze, Centro Di Edizioni 1968, cm.20x27,5, pp.36+ 75 tavv.in bn.ft., brossura, cop.fig. Collana Cataloghi,5.

Firenze,7-8 giugno 2007, a cura di Guido Bastianini, Angelo Casanova. Firenze, Ist.Papirologico G.Vitelli 2008, cm.17x24, pp.171, 4 tavv.bn.ft. brossura cop.con bandelle. Collana Studi e Testi di Papirologia,10.

Wheelock, Arthur K. Peter C. Sutton, Volker Manuth, Anne T. Woollett , NAional Gallery of Art Washington in Association with The University of Chicago Press. 2005, cm.22x27, pp.152, ill.a colori. legatura editoriale cartonata,in tuta tela, sopraccoperta figurata a colori. One of the most fascinating aspects of Rembrandt's extraordinary artistic career is his suite of brooding half-length portraits of religious figures from the late 1650s and early 1660s. Painted during a difficult time in the artist's life--when he no longer enjoyed a ready market for his works and may have turned to his deep religious convictions for solace--these images are among the most evocative Rembrandt created. For years scholars have debated whether these paintings were intended as a series, yet until now these works have, unbelievably, never been shown together