Ugo La Malfa. Mostra storico-documentaria.

Traduz.di Anna M.Martelloni. Firenze, La Nuova Italia Editrice 1962, cm.13x20, pp.XI,219, brossura con cop.fig.a col. Collana Orientamenti.Nuova Serie.VI.

La peinture mise à nu par le photographe. Publ.dedicated to the Versos series, in which Philippe Gronon photographs the verso side of paintings by ancient and modern masters. Les Presses Du Reel ,Galerie Barnoud, Quetigny 2016, cm.22,5x27,5, pp.130, num.figg.a col.nt. legatura ed.cop.fig.a col. Introduzione di Hubert Besacier.

2006 Balzan Prizewinner. Firenze, Olschki Ed. 2016, cm 17 x 24, 78 pp. con 4 tavv. f.t. a colori, brossura The Annual Balzan Lecture,7. Testo in Inglese. Contemporary political theorists frequently say that there is only one coherent way of thinking about liberty, and that it consists in recognising that an individual is free so long as there is no interference with the exercise of his or her powers. In Thinking About Liberty: An Historian’s Approach, Quentin Skinner shows that this is mere dogma by tracing a genealogy that considers different ways of thinking about liberty, a central concept in social and political thought in today’s Western democracies. He isolates three distinct strands in the genealogy of modern liberty, including the above mentioned freedom as absence of interference (by external agencies or by the self), as well as two alternatives: freedom as absence of dependence (as in liber homo vs slave status) and freedom as self-realisation. In speaking as an historian, Skinner’s chief concern is to excavate a way of thinking about freedom that has lately been in danger of getting lost. The lecture also presents Skinner’s 2006 Balzan Prize research project, which involved young European scholars to address questions about the place of civil, religious and political liberty in the formation of modern Europe.

Illustrata e annotate da Augusto Serena. Milano, Albrighi Segati & C. 1897, cm.12x17, pp.436, brossura.