L'interesse per la psicoanalisi. Il Mosè di Michelangelo e scritti 1913/1914.

Introduz.di Cesare L.Musatti. Torino, Boringhieri 1968, cm.13x19, pp.302,(2), brossura, cop.fig.a 2 colori. Collana Universale Scientifica,29.

Traduzioni di A.Campione, M.Lucentini, M.Ranchetti, E.Luserna, L.Schwarz, M.Tonin Dogana. Introduzione di C.L.Musatti. Torino, Paolo Boringhieri 1974, cm.13x19,3, pp.XIII,342, brossura, cop.fig. Collana Universale Scientifica,100/101. Prima edizione italiana.

Traduzione di Ezio Luserna. Torino, Paolo Boringhieri 1975, cm.11x17,5 pp.109, 3 figg.in bn.nt., brossura. Collana Biblioteca,5. Prima edizione italiana.

Introduzione di Flavio Manieri. Roma, Newton Compton Italiana 1970, cm.12x19,3, pp.412, brossura con copertina figurata a colori. Coll.Paperbacks Saggi,26.

Princeton University Press 2009, cm.15,5x23, pp.292, brossura con copertina figurata. In ancient Athens, where freedom of speech derived from the power of male citizenship, women's voices were seldom heard in public. Female speech was more often represented in theatrical productions through women characters written and enacted by men. In Spoken Like a Woman, the first book-length study of women's speech in classical drama, Laura McClure explores the discursive practices attributed to women of fifth-century b.c. Greece and to what extent these representations reflected a larger reality. Examining tragedies and comedies by a variety of authors, she illustrates how the dramatic poets exploited speech conventions among both women and men to construct characters and to convey urgent social and political issues. From gossip