Le Langage. Tome I et II. (Le premier tome comprend les communications envoyées spontanément aux organisateurs du Congrès par les membres des Sociétés, alors que le second comprend les conférences prononcées au cours du Congrès et les introductions aux tables rondes).

Paris, Société d'Edition Les Belles Lettres 1954, cm.13x20, pp.422, brossura intonso.

XIIe Congrès de la Société des Historiens Médievistes de l'Enseignement Supérieur Public, Nancy 1981. Nancy, Presses Universitaires de Nancy 1982, cm.16x24, pp.251,(5), brossura, cop.fig. (cop.ingiallita, altrimenti copia allo stato di nuovo.)

29ème numéro d'"Etre et Penser", Cahiers de Philosophie, novembre 1949. Actes du IVe Congrès des Sociétés de Philosophie de langue française. Neuchatel, Editions de La Baconnière 1949, cm.14,5x19,2, pp.423, brossura intonso, cop.fig.con bandelle. Piccole fioriture in cop. ma ottimo esempl.

Reims, 1970. Section de philologie et d'histoire jusqu'à 1610. Paris, Bibliothèque Nationale 1975, cm.15x24, pp.234, brossura.

Paris, Flammarion Ed. 2005, cm.24x31, pp.207, 163 figg.bn.nt. brossura cop.fig. Brassaé, born in Hungary as Gyula Halasz in 1894, began his artistic apprenticeship in Berlin before moving to Paris and launching a career that would establish him as a key figure in the evolution of photography. Brassaé's importance as a photo-grapher was recognized early in his career, affording him a privileged position from which to witness the varied aspects and milieus of Parisian life during the 1920s and 1930s. During and just after the war, Brassaé collaborated with other artists and writers, and displayed his own artistic proficiency in multiple domains including theater, cinema, sculpture, drawing, and writing. The late 1940s marked the beginning of a new period in Brassaé's life, during which he married and became a naturalized French citizen. In the 1950s and early 1960s, he traveled extensively and executed his original graffiti compositions that would acquire international fame. Toward the end of his life, the artist returned to reading and writing.Brassaé, who remained at the cutting edge of avant-garde, refused to espouse a single style; his rich body of work exceeds definition. This illustrated biography is based largely on unpublished documents and photographs from the artist's personal archives. The author shares stories told to her by Brassaé's wife Gilberte and by several of the artist's friends, including Henry Miller, Miré, Henri Michaux, and Raymond Queneau. Filtering a rich variety of sources, Brassaé offers a detailed and multifaceted view of the artist's life and of the bonds that link him and his legendary images to Paris.

Milano, Edizioni Sylvestre Bonnard 2004, cm.17,5x25, pp.480, legatura ed.carton., sovraccop. L'opera, curata da Maria Teresa Biagetti, si compone di 25 saggi di vario argomento, contributo in onore di Alfredo Serrai da parte di altrettanti studiosi e specialisti delle discipline storico-bibliografiche, tra i quali Luigi Balsamo, Lodovica Braida, Attilio Mauro Caproni, Rolf DuRietz, Arnaldo Ganda, Mauro Guerrini, Mario Infelise, Maria Cristina Misiti, Giorgio Montecchi, Angela Nuovo, Valentino Romani, Ugo Rozzo, Marco Santoro, Giovanni Solimine, Paolo Traniello, Klaus Wagner. Il libro, che contiene la bibliografia degli scritti di Alfredo Serrai, costituisce un tipico prodotto universitario, dalla diffusione limitata in ambienti accademici ma anche presso le biblioteche pubbliche e private.

Testi antologici da A.Oriani, K.Marx, F.Engels, F.S.Merlino, M.Bakunin, O.Gnocchi-Viani et al. Firenze, Casa Editrice G.D'Anna 1974, cm.12,5x20,5, pp.203,(13), alcune ill. in bn.nt., brossura, sopraccoperta fig. Coll.Secondo Millennio - Problemi di Storia, 22.

Presentazione di Manlio Cancogni. Milano, Rizzoli 1968, cm.24x32, pp.114, 64 tavole a colori fuori testo e catalogo gen. con illustrazioni in bn. nel testo , legatura editoriale cartonata, copertina figurata a colori. Coll.Classici dell'Arte,13.