Le roman sentimental avant l'Astrée.

Paris, Librairie Hachette et Cie 1912, cm.10,5x17,5, pp.X-340, rilegatura in tutta tela. Timbri di bibl. estinta. All'occhietto dedica autogr. dell'A.

Paris, Mellottée, Editeur s.d. (anni '40), cm.13x19, pp.257, brossura Buon esempl. Collection Les Chefs-d'oeuvre de la Littérature Expliqués.

Cambridge, University Press 1982, cm.14x21,5, pp.X,253, 9 tavv.bn.nt. brossura cop.fig. Testo in inglese. This book is a major reappraisal of Byron's poetry, which grapples firmly with the paradox of his work - that in spite of his enormous influence, the magnetic power of his personality, and the fascination of his life, the poetry is often of inferior quality and so inconsistent in its attitudes that Byron's poetic seriousness is inevitably called into question. The focus of the book is the nature of Byron's relationship with his public and its effect on his poetry; a subject that has remained largely unexplored. Dr Martin considers Byron's anomalous position as an aristocrat in a literary market governed by commercial interests and middle class tastes and reading habits. He suggests that the whole of Byron's poetry can be seen as a performance determined by a number of factors: Byron's anxieties about his modernity, his contemporaries, and the image his readers were ready to fashion for him.

Milano, Mazzotta 1984, cm.22x24, pp.240, num.figg.bn.e col.nt. brossura copertina figurata a colori.

Minus One for trumpet, trombone & Alto Sax. 6 Big Band styles recorded by Demo Morselli Big Band Orchestra. Carisch 2001, cm.22x31, pp.39, fascicolo spillato. CD in allegato.

Introduzione e traduzione di Renato Poggioli. Torino, Einaudi 1960, cm.16x24, pp.122, ritratto in antiporta. bella rilegatura in mezza pelle e angoli con 5 nervi e piatti fasciati in carta decorata. Titoli e fregi in oro al dorso. Nuova Collana di Poeti Tradotti con Testo a Fronte,2.