Saul Bellow.

London, Macmillan 1995, cm.13,7x21,5, pp.X,163, brossura, cop.fig.a col. Buon esempl. Macmillan Modern Novelists Series.

A cura di A.Babolin. Brescia, Morcelliana Ed. 1977, cm.11,5x18,5, pp.254, legatura ed.sopracop. Coll.Opere di Romano Guardini.

Selected and edited with an introduction by John Erskine Ph.D. London, William Heinemann 1922, cm.16x24, pp.XIV,408, rilegatura in tutta tela, titoli e fregi in oro al dorso, Testo in inglese.

Edition definitive. Paris, Editions Garnier Frères 1926, cm.12x18,5, pp.298, brossura Bibliotheque Charpentiere.

Contributions by Darby English, Richard Hylton, Corrine Jennings, Rebecca Rabinow, Ishmael Reed, Abbe Schriber and Jacqueline Siegel. Foreword Rebecca Rabinow. Yale University Press 2025, cm.25x29, pp.184 illustrata a colori. legatura editoriale cartonata copertina figurata a colori. This groundbreaking survey of abstract paintings by Joe Overstreet (1933–2019) recognizes his energizing presence in the Black Arts Movement and situates his socially engaged and spatially challenging work within today’s crucial redefinition of the modernist canon. Overstreet’s Flight Patterns series, created from 1969 to 1973, is at the center of this book. These intensely colored acrylic-on-canvas works are hung with ropes tethering them to the ceiling, floor, walls—a vital exploration of geometries and free-form installation. In addition, the book includes new studies of Overstreet’s shaped canvas constructions of the 1960s and his mammoth Facing the Door of No Return works, quickly painted in a rush of inspiration after his 1992 trip to Senegal and encounter with the embarkation point of Africans shipped for enslavement in the New World. Essays on Overstreet’s shaped canvases, Flight Patterns, and the Facing the Door of No Return paintings accompany full-color photographs of the works, and a detailed chronology places Overstreet’s career in its time.