CARRELLO vai al carrello
Libri
Totale
SPESE DI SPEDIZIONE GRATIS
PER IMPORTI SUPERIORI A
35 € IN ITALIA
70 € IN EUROPAlimiti e condizioni
#187638 Arte Musei

Museo di Arte Contemporane a e del Novecento. Collezione civica Il Renatico.

Autore:
Editore: Pacini Editore - Comune di Monsummano Terme.
Data di pubbl.:
Dettagli: cm.17x24, pp.215, numerose ill. a uno e 4 col.nt., brossura copertina figurata colori con bandelle. [copia allo stato di nuovo].

EAN: 9788877813695
CondizioniUsato, come nuovo
EUR 25.83
-38%
EUR 16.00
2 copie
Aggiungi al Carrello

Visualizzati di recente...

Firenze, FirenzeLibri Ed. 2003, cm.20,5x27, pp.175, 8 tavv.a col.ft. brossura cop.fig.a col. Coll.Gli Arcipressi.

EAN: 9788876222092
EUR 20.00
-25%
EUR 15.00
Disponibile
#151243 Arte Pittura
Testi di Giulio Bargellini, Giorgio Di Genova, Orlando Piraccini. Pieve di Cento,Museo d'Arte delle Generazioni Italiane del '900, 1-29 settembre 2000. Bologna, Ediz.Bora 2000, cm.21x29,5, pp.48, num.tavv.a col.nt. brossura cop.fig.

EAN: 9788885345829
EUR 7.75
-9%
EUR 7.00
Ultima copia
Utrecht, Hedendaagse Kunst, 1-30 december 1972. Utrecht, Hedendaagse Kunst 1972, cm.14x20,5, pp.n.n.(144), 142 tavv.fotogr.in bn., brossura Ediz.originale. Molto raro. First edition. The original publication Richter’s Atlas accompanied the first exhibition of what has become perhaps his single most significant artwork, the evolving, ever-expanding compendium of imagery that Richter began to amass in 1964 by collecting photos printed in newspapers, magazines and commonplace sources. Richter’s process gained momentum as he added new categories of material, including his own photos and drawings, as well as postcards, anonymous snapshots, landscape images, historical likenesses, pornography, architectural renderings, technical drawings and much else, all in an effort to encompass the vast array of visual data that has become increasingly ubiquitous. These images, affixed to a few hundred panels and arranged on the wall in grids, comprised the first exhibition of Atlas and this artist’s book--which consists of page after page of visual information without any text, even page numbers, to guide the viewer--was its first published form. Atlas has been exhibited on numerous occasions throughout the world and new publications have also followed, but even as the number of panels and images has expanded tenfold, both the form of the installation and of the book has remained essentially that which was set forth her by Richter in 1972. Richter has stated on several occasions that Atlas is governed by no overriding logic or polemical position. It is not an image bank, an archive, or a system of typologies. It is, as the name implies, a cartographic effort. Yet it is a mapping project that remains necessarily unfinished. For Richter, this incompleteness is key; as he sees it, the central dilemma confronting the contemporary artist is the Sisyphean inevitability with which any aesthetic vision will ultimately fail to transform a world that is increasingly defined by the massive proliferation of visual imagery. Thus Atlas is both the visual and the existential context that frames Richter’s artistic output and, as such, it is one of the truly crucial documents of contemporary art.
Usato, molto buono
Note: piccole fioriture alla cop. e segni d'uso al dorso ma copia in buono stato
EUR 1,100.00
Ultima copia
#198167 Archeologia
Firenze, Loggia de' Lanzi 1998, cm.21,5x30,5, pp.123,(5) una tav.in bn. all'antip., legatura editoriale cartonata, sopraccop. figurata.

EAN: 9788881051526
Nuovo
EUR 21.00
Disponibile