Espana! Contiene:Emmanuel Chabrier, Espana. Nicolay Rimsky Korsakov, Capriccio Espagnol. Maurice Ravel, Rapsodie espagnole. Manuel De Falla, Deux Danses espagnoles. Manuel Infante, Danses andalouses for 2 pianos.

Milano, Xenia Ediz. 1990, cm.15x22,5, pp.510, num.ill.bn.in 16 tavv.ft. legatura editoriale con sopracoperta figurata a colori. Coll.I Libri della Clessidra.

Intr.di V.Pigazzini. Ivrea, Priuli e Verlucca Ed. 1989, cm.22x30, pp.XXI,195, 195 ill e tavv.a col.nt. legatura ed.in cofanetto con piatti figg.a col.

Catalogo della mostra tenutasi a Prato presso il Centro per l'Arte Contemporanea Luigi Pecci. Il primo volume è il catalogo delle opere pittoriche esposte mentre il secondo è il famoso Atlas nell'edizione München/Köln Lenbachhaus/Oktagon Verlag. 1997, 2 Volumi cm.28x35, pp. 197 e 387 in cofanetto rigido illustrato legature editoriali in tutta tela. Testi in Italiano e Inglese. First edition. The original publication Richter’s Atlas accompanied the first exhibition of what has become perhaps his single most significant artwork, the evolving, ever-expanding compendium of imagery that Richter began to amass in 1964 by collecting photos printed in newspapers, magazines and commonplace sources. Richter’s process gained momentum as he added new categories of material, including his own photos and drawings, as well as postcards, anonymous snapshots, landscape images, historical likenesses, pornography, architectural renderings, technical drawings and much else, all in an effort to encompass the vast array of visual data that has become increasingly ubiquitous. These images, affixed to a few hundred panels and arranged on the wall in grids, comprised the first exhibition of Atlas and this artist’s book--which consists of page after page of visual information without any text, even page numbers, to guide the viewer--was its first published form. Atlas has been exhibited on numerous occasions throughout the world and new publications have also followed, but even as the number of panels and images has expanded tenfold, both the form of the installation and of the book has remained essentially that which was set forth her by Richter in 1972. Richter has stated on several occasions that Atlas is governed by no overriding logic or polemical position. It is not an image bank, an archive, or a system of typologies. It is, as the name implies, a cartographic effort. Yet it is a mapping project that remains necessarily unfinished. For Richter, this incompleteness is key; as he sees it, the central dilemma confronting the contemporary artist is the Sisyphean inevitability with which any aesthetic vision will ultimately fail to transform a world that is increasingly defined by the massive proliferation of visual imagery. Thus Atlas is both the visual and the existential context that frames Richter’s artistic output and, as such, it is one of the truly crucial documents of contemporary art.

1) The Origins 1839-1890. 2) A New Vision of the World 1891-1940. 3) From the Press to the Museum 1941-1980. 4) The Contemporary Era 1981-2013. Edited by Walter Guadagnini. Milano, Skira 2015, 4 volumi. cm.21x28, pp.1376, illustrazioni in bianco e nero e a colori, tavole. legature editoriali cartonate in cofanetto custodia telata, con copertine illustrate. Testo Inglese. English edition. This history of photography, marking an ideal continuity with the "Art of the 20th century" series, responds to the need for accurate informtion for the general public and supplies more specialised investigations of the medium, offering an international overview.The series offers a complete, up-to-date survey of photography through an original and transversal analisys. This special edition gathers four volumes in an exclusive slipcase inspired by the oldest surviving camera photograph, View from the Window at Le Gras, created by Nicéphore Niépce in 1826.The books provide an extraordinary repertory of images and a vast source of information, enriched through "focus on" windows and technical information, synoptic tables and a summary glossary. The essays, by some leading international experts, investigate and analyze in chronological order the transformations of the world's photographic culture and the najor figures that have shaped the development oog photography.With a chronological division into four main periods (The Origins 1839-1890; A New Vision of the World 1891-1940;From the Press to the Museum 1941-1980; The Contemporary Era 1981-2013), this will be the most authoritative set on the subject.Former director of the Galleria Civica in Modena, Walter Guadagnini is a curator and professor of history of contemporary art at the Accademia delle Belle Arti in Bologna. He is also commissaire unique for the Italian section of "Paris Photo".