A Bibliography of Computer Music. A Reference for Composers.

Pisa, Ediz.ETS 2004, cm.14x21, pp.204, brossura cop.fig.a col. Coll.All the world's a Stage. In his recent play The Prisoner’s Dilemma (2001), British playwright David Edgar stages a fictional conflictual situation which can easily stand for, and allude to, various contemporary war scenarios. While drawing the audience’s attention to the theatre’s mimetic function with its simulation of real-life situations, the play foregrounds the essentially theatrical quality of the models used by international diplomacy and peace-makers to describe, understand and, hopefully, resolve cases of potential or full-blown conflict. Edgar thus underlines how the theatre embodies a conceptual space already structurally prepared to appropriate and elaborate on these tensions. Starting from the working hypothesis of the performative nature of mediation on the one hand, and of its capacity for acting as interface between different aspects of various conflictual situations, on the other, the essays in the volume face the same problem from distant, but ultimately converging, perspectives.

Cambridge (Mass.), Addison-Wesley Publishing Company 1956, 2 voll. di 2, cm.18,2x27,3, pp.X,1226 (numeraz.complessiva), legature editoriali in tutta tela, titoli in oro ai dorsi. (piccola lacuna alla tela del dorso del vol.I e firma di appartenenza ai frontespizi.) Second Printing.

New York, Simon and Schuster 1948, cm.13,7x20,8, pp.XV,(1),306, legatura ed. cartonata, firma dell'A. riprodotta in oro al piatto ant., titoli in oro al dorso. Twenty-ninth printing.

London, Weidenfeld & Nicolson 1992, cm.14x22, pp.112, 8 illustrazioni bianco e nero fuori testo, legatura editoriale cartonata con sopraccoperta.