Sette ombre azzurre.

A cura di Carlo Fruttero e Franco Lucentini. Milano, Mondadori Ed. 1971, cm.14,5x21, pp.XIV,964, legatura ed.cop.fig.a col. Coll.Omibus Gialli.

De situ Ambrosianae urbis et cultoribus ipsius et circumstantium locorum ab initio et per tempora successive et gestis Imp. Henrici VII. A cura di Luigi Alberto Ferrai. Roma, Istituto Storico Italiano 1889, cm.17,5x26, pp.XLVII,163,(4), con una tav.illustrativa. brossura intonso con barbe. (copia in ottimo stato di conservazione). Coll.Fonti per la Storia d'Italia,2.

The Yale Architectural Journal. Edited by A. J. Artemel. Russell Lestourgeon, Violette De La Selle. MIT Press 2016, cm.23x31, pp.270 ill.bn. brossura. Collana Perspecta. An exploration of quotation, appropriation, and plagiarism, arguing that quotation and associated operations are ubiquitous, intentional, and vital in architecture.Every intellectual endeavor relies upon an existing body of knowledge, proven and primed for reuse. Historically, this appropriation has been regulated through quotation. Academics trade epigraphs and footnotes while designers refer to precedents and manifestos. These citations—written or spoken, drawn or built—rely on their antecedent, and carry the stamp of authority.