Problematologia. Filosofia, scienza e linguaggio.

String Orchestra Method/Supplement. An Explorer's Guide to Teaching Strings. Van Nuys, Alfred Publishing Co. 2002, 1 vol. + CD, cm.23x30,5, pp.287, brossura a spirale, cop.fig.a col. Coll.String Explorer,20605. Alfred and Highland/Etling are taking a brand-new approach to string instruction that promises to grab and hold every student's attention---String Explorer! Join the adventures of Arco Dakota and Rosalyn Le Bow as they guide your students along the path to successful string playing with the most exciting, yet systematic and logically sequenced instruction of its kind.

String Orchestra Method/Supplement. A Journey into the Wonders of Strings Palying. Van Nuys, Alfred Publishing Co. 2002, cm.23x30,5, pp.47, brossura cop.fig.a col. Coll.String Explorer,20603. Alfred and Highland/Etling are taking a brand-new approach to string instruction that promises to grab and hold every student's attention---String Explorer! Join the adventures of Arco Dakota and Rosalyn Le Bow as they guide your students along the path to successful string playing with the most exciting, yet systematic and logically sequenced instruction of its kind.

String Orchestra Method/Supplement. A Journey into the Wonders of Strings Palying. Van Nuys, Alfred Publishing Co. 2002, cm.23x30,5, pp.47, brossura cop.fig.a col. Coll.String Explorer,20602. Alfred and Highland/Etling are taking a brand-new approach to string instruction that promises to grab and hold every student's attention---String Explorer! Join the adventures of Arco Dakota and Rosalyn Le Bow as they guide your students along the path to successful string playing with the most exciting, yet systematic and logically sequenced instruction of its kind.

"Già l'april fa ritorno", recitativo e duetto, ivi; "Quante voci, quante grida!", recitativo e duetto, ivi - "Tardi si fa, addio", duetto per soprano e tenore dal "Faust", atto III - "Ah per sempre, o mio bell'angelo", scena e duetto per soprano e tenore da "La forza del destino", atto I - "Eboli e Carlo", scena e duetto per mezzosoprano e tenore da "Don Carlo"; "Eboli, Carlo, Rodrigo", scena e terzetto per messosoprano, tenore e baritono, ivi; "Carlo e Rodrigo", scena e duetto per tenore e baritono, ivi; "Elisabetta e Carlo", gran scena e duetto per soprano e tenore, ivi - "Aida, Radamès", duetto per soprano e tenore, scena finale atto III da "Aida"; "Amneris e Radamès - Amneris e coro", scena e duetto per mezzosoprano e tenore, ivi, atto IV; "Aida e Radamès", scena e duetto, finale ultimo per soprano e tenore, ivi, atto IV - "Di te più bella immagine", scena e duetto per soprano e tenore da "L'Africana", atto IV - "Io che tentai, ma invano", duetto per soprano e tenore da "Ruy Blas". Milano, F. Lucca (1-6 e 14-15) - G. Ricordi (7-13) s.d. (1875-1900), cm.24,8x32,5, pp.15,(1); 13,(1); 11,(1); 17,(1); 15,(1); 8; 17,(1); 21,(1); 14; 25,(1); 18; 12, rilegatura coeva rossa in mezza pelle, piatti in percallina, titolo"Duetti" in oro con impressioni a secco e filetti in oro al dorso. Segni d'uso non gravi a piatti e dorso. Copertine dei fascicoli conservate.

Il piccolo piange. L'avvocato. I ragazzi. Barbara. La sedia a dondolo. La donna di tutti. L'ombra fedele. Confidenza. Graziella, anni quindici. Il mare. Milano, Ceschina Ed. 1961, cm.14,5x20,5, pp.701, legatura ed. sopracop.fig.a col.

Edited by Peter Widdowson. The Macmillan Press 1993, cm.13x20, pp.210, brossura Coll.New Casebooks

London, British Broadcasting Corporation 1980, cm.16x24, pp.XIII,148, hardcover, dustjacket.