Fragonard.

Grand Palais, 11 Octobre 1979 -7 Janvier 1980. Paris, Editions de la Réunion des Musées Nationaux 1979, cm.23,8x21, pp.326, 678 ill.bn.e col. brossura cop.fig.a col.

Pfäffikon SZ, Stedamm-Kulturzentrum, 18 juin - 27 août 1978. Commissaire de l'Exposition. Mauro Natale, Genève. Milano - Zürich, Electa Editrice - Fondation Suisse Pro Venezia 1978, cm.23x25, pp.249,(3), numerose ill.in bn.nt. e 11 tavv. a col.ft., legatura ed.in tutta tela, titoli al piatto ant. e al dorso, sopraccop.fig.a colori. Testo in francese.

Paris, Orangerie des Tuileries, 25 octobre 1976 - 28 février 1977. Paris, Editions des Musées Nationaux 1976, cm.21,5x24, pp.LVII,(1),242,(4), 255 ill. in bn. nt. e 13 tavv. a col. ft., brossura, cop. fig. a colori.

Munich-Residenz, 15 juin - 15 septembre 1958. s.l. (München), Editions Hermann Rinn 1958, cm.15x22, pp.338, 118 tavv.in bn.ft. in append., brossura, cop.fig.a colori. (minimi segni d'uso agli angoli della copertina.)

Warszawa, Panstwowy Instytut Wydawniczy 1981, cm.20x24,5, pp.412, num.figg.bn.e col.nt. legatura ed.in tutta tela,sopracop.fig.bn.

Paris (ma Bruxelles), Ador (ma Wahlen) 1836, cm.19x28, pp.335,(1),391,(1),45,(3),136, ritratto di L. in antip., frontesp.con vignetta, una incis.e 2 cartine ft., rilegatura carton. coeva con menda al dorso e alla cerniera ant. Macchietta d'inchiostro all'occhietto ma buoni interni.

Richard Brilliant,. Ellen Smith (Editor). Prestel Publuishing 1997, cm.22,5x28, pp.112, illustrato a colori. brossura con copertina figurata a colori.

Cynthia De Giorgio, Keith Sciberras, St John's Co-Cathedral Foundation. Valletta, Malta Midsea Books 2007, cm.22x30, pp.236 illustrato a colori,. legatura editoriale cartonata con sopraccoperta figurata a colori. In July 1608, Caravaggio was invested with the habit of Magistral Obedience by Alof de Wignacourt, Grand Master of the Knights of Malta. In honouring Caravaggio, the Grand Master thought that he would thus keep the artist firmly attached to the Order of St John, hoping that the Order would find glory through his art: 'we wish to gratify the desire of this excellent painter, so that our Island Malta, and our Order may at last glory in this adopted disciple and citizen' (extract from the document of Caravaggio's investiture). The artist, however, soon fell out of grace and was deprived of his knighthood in the very same year. Malta had thus, strictly speaking, 'lost' Caravaggio. Caravaggio's presence in Malta was, however, to remain strong, partly because of the pictures that he painted and partly because of the overwhelming influence that his art had on realist paintings that found their way on the island thereafter. Caravaggio, the man dishonoured by the Order, was thus honoured through his art. This exhibition, entitled Caravaggio and paintings of Realism in Malta, forms part of a wider programme of events called CARAVAGGIO400, aimed at celebrating the 400th anniversary of Caravaggio's stay in Malta.