Piccoli animali da compagnia.

Roma, Ist.Poligrafico e Zecca dello Stato- Archivi di Stato 1983, cm.22,5x28,5, pp.166, num.ill.e tavv.bn.e col.nt.anche ripieg.ft brossura cop.fig.a col. Collana Bollettino d'Arte, Supplemento,5.

Paris, Presses Universitaires de France 1957, cm.16,5x25, pp.236, brossura intonso. Etudes d'Histoire et de Philosophie religieuses.

Mantova, Edizioni Corraini 2008, cm.17x24, pp.128, alcuni didegni e tavv.in bn.e a col.nt., brossura con piatti in cartoncino pesante. Eccellente esemplare.

Thames and Hudson 1984, cm.22x27, pp.160,311 illustrazioni. brossura, copertina illustrata a colori. Edizioni in Inglese. During the Weimar Republic (1919–1933) a distinctive culture evolved from the roots of the Modern Movement. It was a unique effort to bring into common use technical and artistic discoveries of the great prewar pioneers from the Cubists to Le Corbusier, and it brought together some of the most original and significant artists, writers, musicians, architects, photographers, designers, and filmmakers.The pictures assembled here show how this artistic culture originated in the aftermath of the First World War and the unsettled early years of the Weimar Republic, uneasily balanced between revolutionary pretensions and the desire for order. The montage of images—photographs, paintings, drawings, collages, books, and film stills—evokes the period with shocking vividness.