Disegno storico dell'arte italiana. Preceduto da un trattatello sulla tecnica delle arti figurative.

Traduz.di Enrico De Angelis. Torino, Einaudi Ed. 1977, cm.15,5x21,5, pp.XIV,241, brossura sopraccoperta figurata a colori. Collana Saggi,583**.

Vol.III: Politica, economia, società (parte prima) Vol.IV: Politica, economia, società (parte seconda) Vol.V: Istituzioni, movimenti, culture (parte prima) Vol.VI: Istituzioni, movimenti, culture (parte seconda) Milano, Mondolibri su licenza Einaudi 2000, 4 voll. cm.15,5x21,5, pp. volumi III,IV: XI,897; volumi V,VI: X,866 legature editoriali sopraccopp.figg. Collana Storia dell'Italia Repubblicana,3,4,5,6.

Paris, Allia 1998, cm.21,5x28, pp.651, Relié.

Univ of California Press 1998, cm.14x22, pp.312, legatura editoriale cartonata, sopraccoperta figurata a colori. In 1931, at age 24, Norton Simon invested $7,000 in a bankrupt juice bottling plant. This investment grew into Hunt Foods, which soon ruled California's canned tomatoes empire. With a rare ability to transform laggard companies into highly profitable enterprises, Simon went on to amass a huge fortune. Then, in his late forties, he turned to art collecting and built one of the greatest private collections since World War II. Suzanne Muchnic has written an intimate and very readable biography of Norton Simon and at the same time provides a thoughtful overview of Los Angeles culture in the postwar years.