Poesia. Prosa. Traduzioni.

Antologia critica di Luciano Anceschi, Alain Bousquet, Luigi Carluccio, Raffaele Carrieri, Raffaele de Grada, Mario De MICheli, Raffaello Giolli, Sebastiano Grasso, Pietro Raffa, Vanni Ronsisvalle, Franco Russoli, Leonardo Sciascia, Marco Valsecchi. Schede critiche a cura di Luca Angelo MArchesini, Romano Piccichè e Pietro Raffa. Bergamo, Grafica e Arte 1983, cm.34,5x44,5, pp.94, 33 tavole a colori protette da veline. legatura editoriale cartonata , dorso in mezza pelle, dorature al dorso e copertina figurata acon tavola pplicata a colori. Bella edizione di 500 esemplari.

Genova, Immordino Ed. 1968, cm.16x21, pp.338, num.tavv.bn.ft. brossura con bandelle, cop.fig. Collana Un Anno di.,7.

Milano, Arnoldo Mondadori Ed. 1967, cm.13x19,5, pp.275, legatura editoriale cartonata, con sopraccoperta figurata. Collana Tutte le Opere di S.Q.

Con una nota introduttiva di Roberto Rebora. Milano, Arnoldo Mondadori Editore marzo 1961, cm.12,5x19,5, pp.426,(4), brossura, sopraccoperta in carta velina translucida. Prima edizione.

Lineamenti della storia, della letteratura e dell'arte dalle origini ai giorni nostri. Con bibliografia generali e parziali e con catalogo delle illustrazioni. Milano, Editoriale Italiana 1949, cm.18x24, pp.557, 172 tavv.in bn.ft., legatura ed.cartonata, cop.fig.Cerniera ant. interna completamente distaccata.

Disponiamo: 1925: n.18,19, 1927: n.16,17,27,28,44,52, 1928: n.14,15,17, 1929: n.42,43,44,45,46,47,48,49,50,51,52, 1930: n.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31-36,37,38,39,40,41,42,43,44,45,46,47,48,49,50,51,52, 1931: n.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31-36,37,38,39,40,41,42,43,44,45,46,47,48,49,50,51,52, 1932: n.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30-38,39,40,41,42,43,44,45,46,47,48,49,50,51,52, Il Marzocco» è una rivista fiorentina di letteratura e arte diretta da Enrico Corradini sorta il 2 febbraio 1896 e terminata il 25 dicembre 1932. Firenze, cm.39x54, pp.4, in blocco

Usa. Hal leonard 1996, cm.23x30, pp.71, brossura Guitar recorded version.

With essays by Jodi Hauptman, Matthew Affron, Beth Handler, Kristen Erickson. New York, The Museum of Modern Art 1998, cm.26,5x25, pp.304 illustrato a colori. brossura con copertina figurata a colori. Fernand Lager is the only major modern artist to choose modernity itself as his subject. From his early series Contrastes de formes of 1913-14--the first fully abstract works to emerge from Cubism--through his paintings of construction workers from the late 1940s and early 1950s, his enduring subject was the pulse and dynamism of everyday life. Lager saw the 20th century environment as a "state of contrasts," a condition that he translated into art through forceful juxtaposition of shape, color, and line. His attempt to reconcile the formal concerns of artmaking with issues of social responsibility continues to be relevant to the art world of today. Accompanying texts recount Lager's experience of and interest in America and America's interest in him; explore refractions of Lager's interests in the work of more recent artists; and discuss Lager's ambition to make an art reflecting the "new visual state" of modern life. An illustrated chronology tells the story of the artist's life, focusing on his time in America, the plate section is complemented by a series of short essays tracing the formal and thematic developments in his art, and a selected bibliography and detailed exhibition history complete the book.This book was published to accompany the 1998 retrospective at The Museum of Modern Art, New York.