Gli esploratori.

Edizione critica integrale a cura di David Giovanni Leonardi. Udine, Pizzicato 2008, cm.24x32, pp.78, brossura cop.fig. Serie. Coro "Giovanni Battista Candotti" di Codroipo (Series).

Milano, Longanesi Ed. 1967, 2 voll. cm.15x23, pp.280,312, tascabili, copertine figurate a colori. Coll.I Libri Pocket,97,105.

Milano, Longanesi Ed. 1959, cm.15x23, pp.550, 9 incisioni, 8 tavv.ft.e 1 a col.in antip. Legatura editoriale cartonata, cofanetto figurato a colori. Coll.Il Cammeo,148.

Milano, Longanesi & C.Ed. 1968, cm.11,3x18, pp.283, 16 figg.bn.nt. tascabile, cop.ill.a col. Coll.I Libri Pocket,167.

Como,San Francesco,3-4/1981. Milano, Electa 1981, cm.25x24,5, pp.143, num.ill.e tavv.bn.e a col.nt. legatura ed.in tutta tela,soprac.fig.a col.

Extrait de Kemi, Revue de Philologie et d'Archéologie égyptiennes et coptes. XIV,1957. Paris, Librairie Orientaliste Paul Geuthner 1957, cm.22,5x28, pp.92-101, brossura intonso.

New York, Schocken Books 1962, cm.13,5x20, pp.152,(4), brossura con copertina figurata. First Edition. The best single statement ever made by Bernard Berenson of his aesthetic principles and methods of procedure. It deserves to be read by every student of art history. Of the title essay Berenson himself wrote, "I have pusblished books and articles, but, except one on the rudiments of connoisseurship, dating from the beginning of my activities, I have written almost nothing about the assumptions and convictions that have shaped and directed my work." Also included in this volume are Berenson's famous essay on the architectureof the Renaissance church, and short studies of Raphael, Mantegna, Filippin Lipp, and others - all superb examples of connoisseurship in practice.