Trenes de Alta Velocidad. Full-color Photographs, Glossary, Index, Primary Sources, Pronunciation Guide to New Words, Timelines, Web Sites. Language:Spanish.

ull-color Photographs, Glossary, Index, Primary Sources, Pronunciation Guide to New Words, Timelines, Web Sites. Age Range:10 - 8 Years. Illustrations by Alessandro Bartolozzi, Roberto Simoni. New York, The Rosen Publishing Group's -Powerplus Books 2002, cm.23x30, pp.48, hardcover. Collana Technology:Blueprints of the Future. [mint copy] Imagine traveling at half the speed of a jet plane without ever leaving the ground! Students will discover the technology that makes such speeds possible, from special tracks and safety precautions to aerodynamically designed trains. What are the limits to the speed of trains? What imposes those limits? Students also will read about the future of passenger train travel, from flying trains to trains that use huge magnets to levitate inches or centimeters off the track. Some trains safely reach speeds of more than 200 mph!

A cura di Guido Beltramini, Davide Gasparotto, Adolfo Tura. Padova, Palazzo del Monte di Pietà, febbraio-Maggio 2013. Venezia, Marsilio Ed. 2013, cm.20x25, pp.440, centinaia di ill.bn.e col.nt.e ft. brossura copertina figurata a colori, con bandelle.

Roma-Bari, Editori Laterza 1986, cm.13,5x20,3, pp.VIII,430,(10), brossura, copertina figurata [buon esemplare.]. Collana BUL,108.

Text by Gesine Borcherdt, Vittorio Colaizzi, Barry Schwabsky. New York, 2021. Presenhuber 2022, cm.24,5x24,5, pp.128 ill.col. legatura editoriale in tutta tela. Clothbound. 979821800358-6 Amy Feldman is recognized for her iconic painting language and commitment to large-scale gray-on-gray abstractions. Feldman’s investigation in the color gray highlights the significance and potential that can be found in neutrality—how something can appear neutral but is, in fact, charged with great power of expression. Feldman typically works in series, presenting distilled iterations of unique forms, which relate to how images and signs are quickly interpreted, remembered, and misremembered. This publication features images of Feldman’s Mothercolor exhibition at Eva Presenhuber, New York, and essays by Gesine Borcherdt, Vittorio Colaizzi, and Barry Schwabsky.

Artisti: Erica Andersen, Fernando Andolcetti, Dino Bwedino, Mirella bentivoglio, Luciano Caruso, Bruno Cassaglia, Cosimo Cimino, Philip Corner, Augusto de Campos, Chiara Diamantini, Jean Dupuy La Spezia, Circolo Culturale Il Gabbiano, 12 marzo – 7 aprile 1994, La Spezia, cm.21x30, pp.circa 100 ill. brossura.