Canti popolari toscani.

Pistoia, Tellini 1981, cm.20,5x30,5, pp.158, num.figg.bn.nt. brossura cop.fig.

Pistoia, Tellini 1981, cm.13,5x20, pp.118, con illustrazioni. Brossura copertina figurata a colori.

Con scritti di N.Andreini Galli, R.Berti, U.Chirici, A.Ciullini, C.Dissennati, P.Galli, G.Magrini, G.Meucci, E.Squarci et al. Pistoia, Libreria Editrice Tellini 1978, cm.15x21, pp.384, centinaia di ill.in bn.nt.e ft., brossura, cop.fig.a col.con bandelle.

Pistoia, Libreria Editrice Tellini 1979, cm.15x21, pp.188,(4), numerose foto a col. e in bn. nt., vr., cop. fig. a colori con bandelle.

Pistoia, Tellini 1981, cm.20,5x30,5, pp.158, num.figg.bn.nt. brossura cop.fig.

A cura di Rosaria Conte. Roma, Editori Riuniti 1991, cm.15x21,5, pp.194, brossura con bandelle. Coll.Gli Studi. Filosofia e Scienze Umane. 9788835935049

Thames & Hudson 1989, cm.15x21, pp.256, 231 illus., 50 in color. Paperback. Coll. World of Art. Surrealism was a revolution. Unlike other modern movements such as cubism and geometrical abstraction, it was not based purely on artistic innovation; its aim was nothing less than the liberation, in art and in life, of the resources of the subconscious mind. Sarane Alexandrian traces the development of surrealism from its origins in the Dada anti-art revolt of 1916-1920 to the death of its guiding spirit, Andre Breton, in 1966, which marked the end of its existence as a formal entity. The author discusses and illustrates an astonishing variety of surrealist artists, including not only such giants of the movement as Dali, Miro, Duchamp, Tanguy and Magritte, but a host of other remarkable talents.