Ritratto di Alma Mahler. Das Geschict des Weibes / The Face of the Woman.

Description: The Woman (Alma Mahler) stretches out her hand which holds a candle towards the moon while the Man (Kokoschka in uniform) stands behind her. La figura femminile (Alma Mahler) allunga la mano verso una candela con una figura maschile in uniforme (Kokoschka) che le sta dietro. Incisione facente parte del Portfolio "Der gefesselte Columbus" (The Bound Columbus) di 12 litografie. Litografia n.5. Berlin, Published by Fritz Gurlitt 1913, cm.49x35, Con cornice in legno. Litografia firmata in lastra OK, e a destra in alto a sinistra Kokoschka a matita. Original Lithograph. Prima tiratura facente parte dei 50 esemplari su carta Japon.

Vol.I:Francia e Inghilterra. Vol.II:Germania, Austria, Paesi Bassi, Spagna, Portogallo. Disegni di L.Bucciotti. Novara, Istituto Geografico De Agostini 1966, 2 voll. cm.16,5x23, pp.349,350, num.diss.bn.ed oltre 350 tavv.in bn. 3 legature editoriali in tutta tela,sopracc.figg.a col. Coll.Arti Decorative.

Todi, 1978, cm.17x24, pp.28, 5 tavv.bn.ft.e 2 nt. brossura Coll.Res Tudertinae.

New York, DC Comics 2003, cm.17x26, pp.160, paperback. From Brian Azzarello, creator and writer of the multiple award-winning 100 Bullets, and Lee Bermejo, artist of Superman/Gen 13, comes a tense tale of espionage, double-dealing...and death! When Scott Floyd, a friend of Bruce Wayne's, is badly burned in a Gotham City restaurant, Batman investigates and soon finds himself drawn into a decade-old conspiracy. Who is the mysterious firestarter, Max Kai? Why are both the CIA and International Operations after him? And what is the connection between Scott Floyd and the mysterious assassin known as Deathblow? Batman's going to discover that in the shadow-world of international espionage, nothing is what it seems...and one man's relentless quest for justice is merely a part of a bigger picture.

Paris, Les Presses de la Connaissance 1976, cm.18x24, pp.231, numerose illustrazioni in bianco e nero e a colori, brossura con copertina figurata a colori. Testo in francese. Pubblicato in occasione del 50esimo anniversario de l'Exposition Internationale des Arts Decoratifs et Industriels Modernes 1925.