Realtà e poesia dei postmacchiaioli.

Firenze, Galleria d'Arte La Stanzina, 2-30 ottobre 1976. Presentaz. di Fernando e Riccardo Tassi. Firenze, Arti Grafiche Il Torchio per Galleria La Stanzina 1976, cm.17x24, pp.n.n.(52), XVI tavv. in bn. ft., brossura, copertina figurata a colori.

Nel quadro della X Mostra Mercato Internaz. dell'Antiquariato (Firenze, Palazzo Giuntini, 17.9 - 16.10 1977). Introd. di U. Baldini. Firenze, Galleria d'Arte La Stanzina 1977, cm.17x24, pp.n.n.(68), 28 tavv. in bn. ft., brossura, cop. fig. a colori.

1974, cm.22x25, pp.circa 50 ill. legatura editoriale in tutta tela, sopraccoperta.

Schirmer Mosel 2004, cm.23,5x30, pp.210, illustrato a colori. brossura con copertina figurata a colori. Bettina Rheims came to worldwide fame in the early 80s with sensational nudes and portraits. As a sequel to her legendary, mostly black-and-white publication Female Trouble, first published by Schirmer/Mosel in 1989, More Trouble presents new photographic visions of glamour, beauty, fashion, sex, and seduction, created from the 90s to the present day. They include portraits of Kylie Minogue, Madonna, Charlotte Gainsbourg, Ludivine Sagnier, Emmanuelle Beart, Brooke Shields, Liv Tyler, Isabella Rossellini, Salma Hayek, to name just a few. This time, however, her pictures are mostly in color. And they include men, such as Jackie Chan, Michael Douglas, James King, Tupac Shakur, Mickey Rourke, Marilyn Manson, and Emir Kusturica. Once again, Bettina Rheims proves her extraordinary originality, her empathy, her sense of style, and her feeling for pictorial eroticism.