Natural History. Botany: The De Belder Collection; Property of the of the late 18th Earl of Derby. Ornithology: Property of the of the late 18th Earl of Derby. Zoology.

New York, 219 East 67th Street, 16 December 1998. New York, Christie's 1998, cm.21x26,7, pp.50,(2), 34 ill. in bn. nt., brossura, cop. fig.

London, Bloomfield Place, New Bond Street, Grosvenor Gallery, 16th and 17th November 1989. London, Sotheby's 1989, cm.21,5x27,5, pp.n.n.(500 ca.), numerose foto e facsimile a colori e in bn. nt., blegatura ed. in tutta tela bordeaux, ill. a colori applicata al piatto ant., titoli in oro al piatto ant. e al dorso.

New York, 20 Rockefeller Plaza, 9 June 1999. New York, Christie's 1999, cm.21x26,7, pp.92,(6), 45 ill. e facsimile a col. nt. e una tav. all'antiporta, brossura, cop. fig.

London, 101 New Bond Street, 22 November 2006. London, Bonhams 2008, cm.21x26,5, pp.83,(9), 220 ill. a col. nt., brossura, cop. fig. a colori.

Herausgegeben von Gotz Czymmek. Wallraf Richartz Muesum Koln, 6/4-1/8/1990. 1990, cm.24x29, pp.520, num.figg.a col.nt. brossura con cop.fig.a col.

A cura di E.Tonetti. Roma, Ist.Poligrafico e Zecca dello Stato- Archivi di Stato 1994, cm.17x24, pp.951, brossura Pubbl.dell'Istituto Italiano per gli Studi Filosofici.

Sous la direction de Denis Ribouillault et Michel Weemans. Firenze, Olschki Ed. 2011, cm 17 x 24, xxxii-368 pp. con 83 figg. n.t. e 28 tavv. f.t. a colori. Giardini e paesaggio, 29. Multi Ce livre révèle l’importance de la conception religieuse et spirituelle de la nature sur la représentation et la construction du paysage dans l’Europe de la première modernité. À travers une variété d’approches allant de la littérature aux jardins, de la peinture à la microarchitecture, il propose de regarder le paysage de cette période comme l’interprétation par les artistes du Livre de la Nature écrit par le doigt de Dieu. / This book underscores the importance of sacred conceptions of nature for the depiction and construction of landscape in early modern Europe. By examining a variety of media - from literature to gardens, from painting to microarchitecture - it suggests that landscape in this period should be considered as the artists’ interpretation of the divinely created Book of Nature.