Imbreviature (1268-1271).

A cura di Eugenio Rossi. Deputazione di Storia Patria per la Toscana. Firenze, Leo S.Olschki Ed. 1947, cm.16x24,5, pp.254, brossura

London, Edward Arnold 1976, cm.15,5x23,2, pp.(4),68, brossura, cop.fig. a 2 col. (cop. ingiallita, altrimenti ottimo esemplare.) First edition. This introduction to the study of later medieval England is both a survey of changing historical judgements and a fresh and independent interpretation of political realities in the period 1450 to 1509. The author first examines the historiographical background. He shows how intensive research in neglected archives has undermined the picture of 'a worn-out, helpless age' which discouraged historians after Stubbs. The most fundamental revision of opinion concerns the political relationship and roles of crown and nobility, and this the book's central theme.

Illustrazioni di Federico Maggioni. Torino, Einaudi Ragazzi 1999, cm.11x18,3, pp.46,(10), interamente illustrato a colori, brossura, cop.fig.a colori. [copia come nuova.] Collana Storie e Rime,110.

Firenze, Sismel Ediz.del Galluzzo 1998, cm.15x23, pp.VIII,282 + 82 tavv. brossura con copertina figurata a colori. Collana Micrologus,6. J. C. Schmitt, Les dimensions multiples du voir. Les rêves et l’image dans l’autobiographie de conversion d’Hermann le Juif au XIIe siècle - M. C. Ferrari, «Imago visibilis Christi». Le «volto santo» de Lucques et les images authentiques au Moyen Ages - C. Heck, Du songe de Jacob aux visions des saints dans l’art médiéval. Théophanie et géographie sacrée - V. Segre Rutz, Astrazione e modalità narrative nell’illustrazione delle Apocalissi spagnole di Beato de Liebana - J. Baschet, Vision béatifique et représentations du Paradis (XIe - XVe siècles) - F. Boespflug, La vision de la Trinité de Christine de Markyate et le «Psautier de Saint-Albans» - J. Wirth, Peinture et perception visuelle au XIIIe siècle - M. Camille, The eye in the Text: Vision in the illuminated Manuscripts of the Latin Aristotle - M. Pastoureau, Voir les couleurs au XIIIe siècle - F. Cecchini, «Le misure secondo l’apparenza». Ottica e illusionismo nella scultura del Duecento: tracce figurative e testimonianze letterarie - J. Y. Tilliette, «Amor est passio quaedam innata ex visione procedens». Amour et vision dans le «Tractatus amoris» de André le Chapelain - C. Lucken, L’imagination de la dame. Fantasmes amoureux et poésie courtoise - D. Renevey, «See by ensaumple»: Images and imagination in the writings of the author of «The Cloud of unknowing» - C. Ferguson O’ Meara, Francesco Petrarca and the Renaissance Idea of Artistic Vision. Indice dei nomi - Indice lessicale - Indice dei manoscritti.