The Invented Eye. Masterpieces of Photography, 1839-1914.

Trad.di A.Crespi. Milano, Rizzoli 1986, cm.22x29, pp.264,152 tavv.bn.e a col.nt. legatura ed.in tutta tela,soprac.fig.a col.

Prima edizione italiana. Presentazione di Gillo Dorfles. Traduzione di M.Buzzi, M.Straniero. Verona, Mondadori Ed. 1976, cm.22x28, pp.502, 384 tavole a colori nel testo legatura editoriale con sopraccoperta figurata a colori.

London, Phaidon 2000, cm.24x28, pp.160 illustrato a colori. brossura con copertina figurata a colori.

Oxford, Painting 1990, cm.24,5x29, pp.160, illustrato a colori. legatura editoriale cartonata con sopraccoperta figurata a colori. Art Deco was one of the liveliest and most comprehensive of 20th century trends, embracing decorative arts, fine arts and fashion. This book looks at the least known of these - painting. The renowned art critic, Edward Lucie-Smith, analyzes the characteristics of the style, period and history of the movement, and discusses the various Art Deco painters, French, Italian, Russian, British and American. These artists, such as Tamara de Lempicka, Jean Dupas and Bernard Boutet de Monvel, were drawn to the luxury of the classical scene and the beauty of the speeding car, to the streamline of the metal skyscraper and the flesh of the rich and famous, which they portrayed in a most refreshing manner.

Firenze, Tipogr.di Ferdinando Mariani 1906, cm.15x21, pp.20, fascicolo. Dedica autografa a penna dell'Autore al senatore Marchese Ippolito Niccolini.

Redazione di Loreta Lucchetti, revisione testi di Rosalba Lanza, Luigi Rosano, Laura Buccino, iconografia di Letizia Bencini, Fulvia Strano. Roma, Istituto della Enciclopedia Italiana- Treccani 2007, cm.26,5x34, pp.897,(4), 820 tavole a colori nel testo, legatura editoriale in t.pelle,dorso con nervi,fregi e titoli in oro anche al piatto anteriore , cofanetto in seta con. rinforzi in pelle. Collana I Luoghi dell 'Arte.

Processo evolutivo, struttura territoriale, rapporti con l'ambiente, prospettive di sviluppo. Firenze, Associazione degli Industriali 1979, cm.17,5x24, pp.XVII,882, 100 ill.bn.e num.tabelle nt. brossura con bandelle, copertina figurata a colori. l’industria nell’area fiorentina. processo evolutivo. struttura territoriale. rapporti con l’ambiente. prospettive di sviluppo. Firenze, 1979, in-8, br. A cura dll’Associazione degli Industriali della Provincia di Firenze.

The A. W. Mellon Lectures in the Fine Arts, 1971. Princeton, Washington, Princeton University Press - The National Gallery of Art 1979, cm.19x25, pp.XX,367, 227 illustrazioni in bianco e nero, legatura editoriale in tutta tela, con sopraccoperta figurata. Bollingen Series XXXV, 20. Edizione Inglese. Vasari’s Lives of the Most Excellent Architects, Painters, and Sculptors, first published in 1550, fixed for three hundred years general European views about the art of the Renaissance, and its influence still lingers today. While much has been written about Vasari’s writings, comparatively few full-length studies have dealt with the man himself. In this book, T.S.R. Boase offers a compelling account of Vasari’s life and career. At the same time, Boase explores Vasari’s ideas about the art and artists he described in the two editions of his Lives, placing these reflections in their contemporary context and later developments in art history and criticism. The result is an important appraisal of Vasari’s achievement, which despite its imperfections is without parallel in the history of Western art.