La volpe e le camelie.

Milano, Mondadori Ed. 1956, cm.12x19,5, pp.194, legatura ed. Coll.Narratori Italiani.

Firenze, Vallecchi Ed. 1969, cm.14,5x21, pp.242, legatura editoriale con sopraccoperta.

Milano, Arnoldo Mondadori Editore 1981, cm.11x18,5, pp.389, tascabile, cop.ill.a col. Coll.Oscar,204.

Milano, Arnoldo Mondadori Ed. 1988, cm.11x18, pp.199, tascabile, cop.fig.a col. Coll.Gli Oscar,91.

Torino, UTET 1969, cm.17,5x25, pp.XV-494, 26 tavv.bn.e col.ft. legatura ed.in tutta tela, titoli e fregi in oro al dorso. Coll.Storia Universale dei Popoli e delle Civiltà,IV.

Presentaz.di Maria Antonietta Aveni Casucci. Milano, Jaca Book Ed. 1992, cm.15x23, pp.329, brossura cop.fig.a col. Coll.Di Fronte e Attraverso,306. Terza Età Domani.

Maggio 1987, Introduzione di Stephen Bann. Firenze, Galleria Carini cm.28x22,5, formato albo. pp.42, ill. brossura copertina figurata.

New York, Rizzoli International Publications 2024, cm.24x32, pp.120 ill.a colori. legatura editoriale cartonata, copertina figurata a colori. For over three decades, Jim Shaw has found inspiration in comics, pulp novels, album covers, and amateur paintings. His densely layered and humorous works span painting, drawing, and sculpture, and juxtapose images of friends, family, and dreams, with world events, pop culture, and alternative realities. Published to coincide with Thinking the Unthinkable (2023) in Beverly Hills, Shaw s first exhibition with Gagosian, this expansive and vibrantly illustrated catalogue delves into the secret histories of psychedelic therapy, Hollywood legend, and nuclear war themes that all coalesce in the artist s recent works. An essay by Gagosian director Jessica Beck discusses Shaw s hallucinogenic depictions of Cary Grant, Esther Williams, and Jeff Chandler. A conversation with author Rachel Kushner ranges from the artist s formative years to the early weaponization of LSD. In Jim Shaw Kills, new fiction written by Jonathan Lethem, a miniaturized version of Shaw is dispatched into the comatose body of an ex-president.