Three sonatas opus 3 Nos. 1-3 ( Priestman III ) for treble recorder (Flute,Oboe) & Basso Continuo.

A cura del C.N.R. Pubbl.dell'Ist.di Studi Micenei e Egeo Anatolici. Roma, Ediz.dell'Ateneo 1988, cm.19x27, pp.292, con num.tavv.di"Tables of Writing Styles". legatura ed. sopracop. Coll.Incunabula Graeca,LXXVII.

Ediz.del comune di Copparo. Ferrara, Liberty House 1999, cm.17x24, pp.199, 38 ill.bn.e col.nt.e ft. brossura cop.fig.a col. Coll.Ferrariae Decus.

This medium tempo straight-eighth feel work, ""Creature Feature,"" is moody, obtuse, even spooky, and offers an interesting programmatic change. Although originally written for five saxophones (SAATBar), piano, guitar, double bass, and percussion, this arrangement works equally well using the optional parts for a trumpet/flugelhorn and trombone. Arranged by Ramon Ricker. Advance 1994, cm.23x30, fascicoli sciolti in cartella. Saxology

Hal Leonard 1995, cm.23x30, pp.104, brossura fig.col. Artist Transcriptions Saxophone. This work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire of?Bach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.