I Have Grown Taller from Standing with Trees.

Traduz.di Delfo Ceni. Milano, Garzanti Ed. 1977, cm.11x18, pp.251, brossura con cop.fig.a col.

Testi di Martina Corgnati, Luigi E. Rossi, Davide Spinelli, Simona Squadrito, Magda Rossi, Fernando Garcia Barros, Christian Zecchin. Bursto Arsizio, Nomos Edizioni 2019, cm.16x23, pp.258, tavv.bn.nt. brossura con bandelle.

Presentaz.di Massimo Ferretti. Torino, Ediz.SEAT 1997, cm.24x28,5, pp.200, con oltre 300 tra ill.e tavv.a col.nt. legatura ed.in tutta tela, sopracop.fig.a col.

English edition. Milano, Skira 2016, cm.24x30, pp.296 , 55 ill.a colori. legatura editoriale, copertina figurata a colori. This volume provides a comprehensive account of Dennis Oppenheim's radical art practices of this explosive five-year period. Providing a principal means of spilling his Conceptual Art beyond the object or the gallery to investigate “real world” and “real time” embedded processes and places, Oppenheim’s steps into performance from 1969 enacted the artist’s body as the agent, material, and place of art, and extended his work toward multiple spaces and times, including cross-generational exchange. Directing the viewer toward his body as the source and material of his works, Oppenheim’s procedures continue to critique the conventional material and conceptual limits of both sculpture and performance. This monograph follows Oppenheim’s conceptual performance works in slide, film, video, installation and photographic form from 1969-1973, including a substantial framing essay, a newly edited interview with Willoughby Sharp, and extensive extracts from the artist’s contemporaneous notes and statements.