I Maya.

Firenze, Vallecchi 1974, cm.17x24, pp.180, alcune figg.bn.nr. legatura ed. Collana Le Piramidi.Il Romanzo della Storia.

Wheelock, Arthur K. Peter C. Sutton, Volker Manuth, Anne T. Woollett , NAional Gallery of Art Washington in Association with The University of Chicago Press. 2005, cm.22x27, pp.152, ill.a colori. legatura editoriale cartonata,in tuta tela, sopraccoperta figurata a colori. One of the most fascinating aspects of Rembrandt's extraordinary artistic career is his suite of brooding half-length portraits of religious figures from the late 1650s and early 1660s. Painted during a difficult time in the artist's life--when he no longer enjoyed a ready market for his works and may have turned to his deep religious convictions for solace--these images are among the most evocative Rembrandt created. For years scholars have debated whether these paintings were intended as a series, yet until now these works have, unbelievably, never been shown together

Firenze, Vallecchi 1969, cm.17x24, pp.184, legatura editoriale cartonata.

Roma, Trapani Editore 1968, cm.13.5x21,5, pp.177, brossura, sopraccop.fig. (strappetto al piede del dorso della sopraccop. restaurato con nastro adesivo ma copia in buono stato.) Collana 30° Giorno,1.

Roma, A.R.E. Anonima Romana Editoriale 1930, cm.13x19.5. pp.412, brossura. Seconda edizione.

Scritto a Giuseppe Mazzini. Livorno, Poligrafia Italiana 1848, cm.12x17,5, pp.147, rilegatura in mezza tela e piatti in carta marmorizzata. Sguardie fatte artiginalmente con carta a righe, Scritte coeve al frontespizio. Edizione originale. Estremamente raro.

Bari, Laterza 1932, cm.13,5x20,5, pp.478, brossura con copertina figurata. Biblioteca di Cultura Moderna,225.