Enrico Baj. Mobili animati.

Milano, Fabbri 1973, cm.27x31, pp.33, 110 tavv.ft. legatura ed.e cofano in tutta tela,soprac.fig.a col. Coll.Le Grandi Monografie.

Introduzione di Lia Rumma. Milano, Electa 1985, cm.22x24 pp.278, numerose figure bn.nt. brossura.

Milano, Skira 2013, cm.21x30, pp.568, 500 illustrazioni a colori. brossura legatura cartonata copertina figurata. Collana Cataloghi. Published on the occasion of his major anthology at the Fondazione Giorgio Cini in Venice, this catalogue gathers a number of works by the renowned British artist. "A journey from the origins of life" that, according to the artist, through very powerful works celebrates "the awe and wonder of the world in which we live." Marc Quinn began his career exploring issues such as the relation between art and science, the human body and its survival mechanisms, life and its preservation, beauty and death. Through an essay-interview of the artist with Germano Celant, the volume offers in-depth insight into Quinn's conceptual practice that incorporates sculpture, painting and installations. The artist's preoccupation with the metamorphic ability of both human life and nature points to his fascination with our innate spirituality. Quinn questions the codes of nature through his adoption of uncompromising materials such as ice, blood, marble, glass, and lead. Through the use of such materials, his works are at once poetic and confrontational through their exploration of life, death, sexuality, and religion. Quinn transforms the very act of seeing by forcing viewers to question what is around them, pushing them into the unknown in order to rediscover life.

Selected Works. Milano, Skira 2007, cm.25x29, pp.572, illustrazioni in bianco e nero e a colori, 566 tavole a colori. legatura editoriale cartonata copertina figurata a colori. Testo Inglese. English edition. The art of Mimmo Rotella seems to be marked by a constant play of chance and intuition–”the mythical mental radar” to which the artist often alludes in his writings–and can be characterized by his attraction to the unusual, the unexplored and the unforeseen. Germano Celant traces Rotella’s work, in all of its diversified phases and periods from 1946 to the present, including the initial geometrical and pre-décollages works, the decollages and the verso of torn street posters, the artypo and emulsified canvases, the blanks, and the overpaintings. Rotella has been the subject of numerous retrospectives throughout Europe and the United States, including Grand Central Station, New York in 1994; Cuartel del Conde Duque, Madrid also in 1994; Galerie Ernst Hilger, Wien in 1999; and Palazzo della Triennale, Milan in 2004. In 1964, Rotella represented Italy in the Venice Biennale.

Roma, Istituto Poligrafico e Zecca dello Stato - Libreria dello Stato 1992, cm.22x28,5, pp.247,XXIII, 30 figg.in bn.e 5 a col., 5 carte geogr.allegate in apposita tasca, brossura, cop.fig.a col. Allo stato di nuovo. 9788824004718

Ediz.bilingue inglese-italiano. A cura di Aldo Castellano, Maurizio Vitta. Milano, L'Arca Ediz. 1988, cm.24x34, pp.127, num.ill.e tavv.bn.e col.nt.num.disegni brossura cop.fig. Coll.Architects and Studies.

A cura di Alessandro Panajia. Introduz.di Lucia Tongiorgi Tomasi. Pisa, Ediz.ETS 2006, cm.14x22, pp.40, 4 tavv.a col.ft. brossura cop.fig.a col.con bandelle. Gentilissima Mastiana non vi sembri cosa strana, se nel dì d'Epifania, alla vostra compagnia, benché lungi primavera io presenti una paniera piena sol di vaghi fiori trasmutati in Grazie e Amori... (A. del Rosso, Per il galante giardino d'Alfea, 1802)

1. 1 giugno 1965. numero doppio. Centro Studi e Richerche su Problemi Ecnomico Sociali. Milano, CESES 1965, cm.15x23, pp.334, brossura.