Drawing: Forms Techniques, Meanings. Testo in lingua inglese.

1969-1970. Donazione al Museo Internazionale d'Art e Moderna di Firenze e alla Pinacoteca Vaticana. Firenze, Galleria Pananti 1969, cm.17x18, pp.circa 100 numerose tavv.bn.nt. brossura copertina figurata.

Introduzione di Gaetano Panazza. Brescia, Industrie Grafiche Bresciane 1964, cm.34x48, pp. circa 50 con riproduzione dei disegni brossura, soprac.velina. Edizionefuori commercio con tiratura in 300 esemplari, nostro numero 30. in allegato lettera manoscritta del presente dono da parte dell'editore. Ex libris.34x49,

Oxford, Ashmolean Museum 2010, cm.24,5x29, pp.160, paperback. Weimin He's 324 ink drawings, pen sketches and woodblock prints comprise an intimate record of the progress of construction in the newly designed Ashmolean Museum that opened late last year. An unusual approach to documentation in the age of digital photography, the catalogue provides a delightful art experience for readers who will never set foot in the Ashmolean, which is the museum for the University of Oxford. Weimin has drawn workers lifting roof beams, welding metal rods and pouring cement into the mixer. He gives us behind-the-scenes portraits of museum personnel, making each individual come alive, for example, an objects conservator at her work and a researcher in the prints room at his. An artist-in-residence at the museum and an art scholar, Weimin employed Chinese drawing and woodblock printmaking methods. His portraits were drawn on pi, xuan papers or album leaves, with Chinese brushes and inks that have been used for over a millennium. Seven of the prints and the catalogue were presented to Queen Elizabeth for the museum's opening.

Harper & Row 1976, cm.21,5x28, pp.464, paperback. The works of masters and those of lesser-known artists are included in this catalogue and history of American drawing from the watercolors of Jacques Le Moyne to the present-day draftsmanship of Andrew Wyeth