Compendio di tossicologia pratica ad uso degli ufficiali sanitarii, dei medici e degli studenti.

Il caso di Dora, Il piccolo Hans, Sulla psicoanalisi, Leonardo Da Vinci, Psicologia della vita amorosa, Il caso di Schreber, Totem e tabù, Metapsicologia, Il Mosè di Michelangelo, L'uomo dei lupi, Al di là del principio del piacere e altri saggi. Ediz.integrale. Roma, Newton & Compton Ed. 1992, cm.15x23, pp.1195, brossura con bandelle, copertina figurata a colori. Coll.I Mammut,10.

Bologna, Atesa 1984, cm.17,5x24,5, pp.328, legatura editoriale, copertina figurata. Ristampa anastatica dell'edizione di Saluzzo, tipografia Compagno e Comp. 1886. Vicende storiche dalle origini fino alla morte di Vittorio Emanuele II, con la biografia di illustri saluzzesi, tra i quali Giovan Battista Bodoni, Silvio Pellico, Goffredo Casalis; notizie sui monumenti, la popolazione, le condizioni socio-economiche del territorio, i commerci, i luoghi pubblici di ritrovo e brevi cenni sul dialetto locale.

Con 8 xilografie fuori testo di Pietro Parigi. Firenze, Bemporad e Figlio 1926, cm.16,5x23, pp.164, rilegatura in mezza tela, custodia.

The volume is rounded out by detailed commentaries by William M. Voelkle and K. Michelle Hearne on each section of the Book of Hours, and an analysis of the fascinating history of the manuscript (tradition holds that it was once in the collection of Henry VIII, hence its name today). In association with the Pierpont Morgan Library. George Braziller Publisher 2000, cm.21,5x28, pp.X,194, 66 ill.a colori, 35 ill.bn. brossura copertina A product for the royal court of France, the "Hours of Henry VIII," created around 1500 by Jean Poyet, is one of the most splendid Books of Hours from this period. This magnificently illustrated lay book of daily devotions and prayers contains fifty-five exquisitely hand-painted images all reproduced here together and in color for the first time. The previously little-known Poyet (active ca. 1483-1503) enjoyed the patronage of the courts of three French kings. Not only an illuminator of manuscripts of the highest quality, Poyet also created panel paintings, elaborate drawings, and designed theatrical spectacles, all in a style that links Fouquet to Poussin. Author Roger S. Wieck provides a thorough explanation of the importance both of this grand manuscript within its art historical context and of Poyet's artistic achievements, which fluidly merged the cool, late Gothic aesthetic of his native northern France with the avant-garde Renaissance style of northern Italy. All known works by Poyet are discussed and illustrated.