Opera.

Tome III. I partie. Texte établi et traduit par Alfred Croiset. Ediz.con testo a fronte. Paris, Les Belles Lettres 1966, cm.13x20, pp.ca.140, brossura Collection des Universités de France.

A cura di Giorgio Zampa e Leone Traverso. Edizione con testo a fronte. Milano, Enrico Cederna 1947, cm.13x20,5, pp.63, brossura soprac. Edizione limitata e numerata in 3000 esemplari.

Faber Music, 2010, cm.22,5x30,5, 40, brossura Piani,Vocal,Guitar. Six of the best songs from hit TV musical comedy Glee, arranged for piano, voice and guitar. 6 Of The Best simply does what it says, six of the best hits from leading artists available in a new and competitively priced format. Glee follows the dramas facing Spanish teacher Will Schuester, who fights against the odds, determined to put together a successful high school Glee Club. The series features a mixture of show tunes and chart hits, all songs being made available on iTunes in the week of broadcast, and a series of albums is also available. The music of Glee has been a huge commercial success, with over 2 million digital sales. You Keep Me Hangin? On Don't Stop Believin? Bust Your Windows Somebody To Love Take A Bow Rehab

Cambridge, D.S. Brewer 1999, cm.16x24, pp.263, legatura editoriale in tutta tela, tassello applicato al piatto anteriore, Collana Studies in Medievalism 9,1997. Testo in inglese. Medievalism, the "continuing process of creating the middle ages", engenders formal medieval studies from a wide variety of popular interests in the middle ages. This volume accordingly explores the common ground between artistic and popular constructions of the middle ages and the study of the middle ages within the academy. Essays treat the genesis of medieval studies in early modern antiquarianism; the erection of academic medievalism through persistent, indeed perverse, appeals to heroic medieval manliness and attenuated female spirituality; the current jeopardy of the book (a medieval invention) in the face of technological assault; the politics of the nineteenth-century academy (F.W. Furnival and others); the editorial practice of Sidney Lanier; and the cultural canonization of Chaucer. Contributors: DAVID O. MATTHEWS, STEVE ELLIS, ANTONIA WARD, GRAHAM PARRY, MARGARET CLUNIES ROSS, ANNA SMOL, DAVID ALLAN, MATILDE MATEO, MARYA DEVOTO, ULRIKE WIETHAUS, STEPHEN STEELE, JAMES KENNEDY, WILLIAM CALIN, JESSE D. HURLBUT, JOAN GRENIER-WINTHER, WILLIAM PADEN