Bibliographie du Roman Français en Italie au XVIII Siecle. 4° serie.

Florence-Paris, Libreria Commissionaria Sansoni - Librairie Marcel Didier 1971, cm.18x25,3, pp.188,(4), brossura, intonso. Publications de l'Institut Français de Florence - IIe Série: Collection d'Etudes Bibliographiques, N°13.

Paris, Librairie M. Didier 1962, cm.18x25,5, pp.120, brossura. Publications de L'Instituts Francais de Florence.

Roma, Ediz.di Storia e Letteratura 1979, cm.18x25, pp.69, brossura Collana Note e Discussioni Erudite.

A cura di L. Girgenti. Firenze, Olschki Ed. 1998, cm.24x33,5, xxvi-142 pp. con 3 figg. n.t., Collana Musiche rinascimentali siciliane, 18. Mario Capuana fu maestro di cappella di Noto dal 1628 al 1647. Le sue composizioni sopravvissero alla città, distrutta dal terremoto del 1693. Questi venti mottetti (due con una coppia di violini obbligati) sono floridi concerti barocchi nello stile monte Mario Capuana was chapel master in Noto from 1628 to 1647. His compositions outlived the actual city which was destroyed by an earthquake in 1963. These twenty motifs (two with a pair of violin obbligatoes) are flourishing baroque concerts in the most adv

Toronto, PIMS 2000, cm.15c21, pp.187, legatura in tutta tela blu con titoli in oro al dorso. Collana Studies and Textes,134. The legend of Saint Barbara is preserved in two 15th-century manuscripts which are presented here on facing pages followed by an English translation. In addition, Wolf presents the Latin source text Passio Sancte Barbare . The texts are preceded by a lengthy and heavily annotated discussion of the legend's manuscripts, sources and content which also places the legend within the literary and historical context of Scandinavia and Iceland.