Vincent Van Gogh.

Pisa, Pacini Editore 2010, cm.14x23, pp.324, brossura copertina figurata a colori. Coll.Volti, spazi, memorie.

Con il saggio di J.A.Schumpeter: "L'opera scientifica di E.von Bohm-Bawerk".Traduz. di Enzo Grillo. Roma, Archivio Guido Izzi 1998, cm.14,5x21, pp.XXIV-260, brossura Stato di nuovo. Coll.Classici di Economia Politica.

Bologna, Emi Music Ed. 1998, cm.21x30, pp.4, fascicolo.

Dialoghi con Henry Cathey, Gaylord T. Hageseth, Richard Adams, André Roussin, Robert Jungk, Ruud Gullit, Woody Allen, Arthur Schlesinger, Paul Samuelson, Enzo Ferrari, Renato Dulbecco, Ray Bradbury, Carlo Maria Maritni, Golo MAnn, Tommaso Buscetta e tanti altri. Milano, CDE su licenza Rizzoli 1989, cm.14x21,5, pp.262, legatura editoriale cartonata, sopracoperta figurata a colori.

Thames and Hudson 1984, cm.22x27, pp.160,311 illustrazioni. brossura, copertina illustrata a colori. Edizioni in Inglese. During the Weimar Republic (1919–1933) a distinctive culture evolved from the roots of the Modern Movement. It was a unique effort to bring into common use technical and artistic discoveries of the great prewar pioneers from the Cubists to Le Corbusier, and it brought together some of the most original and significant artists, writers, musicians, architects, photographers, designers, and filmmakers.The pictures assembled here show how this artistic culture originated in the aftermath of the First World War and the unsettled early years of the Weimar Republic, uneasily balanced between revolutionary pretensions and the desire for order. The montage of images—photographs, paintings, drawings, collages, books, and film stills—evokes the period with shocking vividness.