Ruins and visions.

A cura di Lee Bartlett. Ediz.italiana a cura di Marina Premoli. Milano, Rosellina Archinto Ed. 1993, cm.12,5x20, pp.123, un figg.in antiporta. brossura con bandelle, cop.fig.a col.

Traduz.di Giulio De Angelis. Prefaz.di Mario Luzi. Firenze, Vallecchi Editore 1966, cm.14,5x22, pp.XIV,294, brossura, cop.con bandelle. [eccellente esemplare]. Coll.La Cultura e il Tempo,13.

London-Boston Faber and Faber 1985, cm.16,5x24, pp.510, 24 figure b.n. fuori testo. hardcover, dustjacket. Drawn from the journals kept intermittently by the poet throughout his life, this volume is a chronicle of a revolutionary literary period, with portraits of some of its most memorable figures, including Auden, Isherwood, Henry Moore, and Cyril Connolly.

Milano, Ulrico Hoepli Editore 1912, cm.10,5x15, pp.XV,431,(64), 90 incis.in bn.e a col.nt., legatura ed.in tutta tela. Coll.Manuali Hoepli. Esempl.ben tenuto.

Prefaz.di Giovanni Cherubini. Castagno d'Andrea - Firenze, Associazione Andrea del Castagno - Tip. Arte e Professioni 1995, cm.17x24, pp.207, brossura, cop.fig.

Paris, Libraire Plon 1953, cm.14,5x20,5, pp.242, 27 foto di repertorio b.n. fuori testo, brossura figurata.

Fine Arts Museums of San Francisco 1995, cm.23x27,5, pp.189 ill.col. brossura copertina figurata a colori. Created principally during the 1970s and 1980s, the porcelain collection formed by Henry and Constance Bowles represents both the fruits of the pursuit of excellence and an exhilarating accommodation of two distinct but perfectly compatible tastes. Botanical and naturalistic themes of Chelsea and Longton Hall, Kakiemon idioms of Bow, and the colored grounds of Worcester, seasoned by the wit and sophistication of Chantilly, reflect a shared passion for porcelain. The 182 entries in this book include color illustrations and discussions of the history and decorative influences for each piece.