Tecnica dei forni a combustione.

Traduz.di Ermanno Sagittario. Prefaz.di Cesare L.Musatti. Torino, Boringhieri 1970, cm.13x19, pp.251, brossura, cop.fig. (piccoli segni d'uso alla cop. e firma di appartenenza al frontespizio.) Coll.Universale Scientifica,2.

A cura di Giovanni Previtali. Torino, Einaudi Ed. 1979, cm.15,5x21,5, pp.XXXI,318, 421 ill.e tavv.bn.ft. legatura editoriale in tutta tela, con sopracoperta figurata in cofanetto. Coll.Storia dell'Arte Italiana,3.

Edizione italiana a cura di Andrea Comotti. Milano, Rizzoli Ed. 1981, cm.16x22,5, pp.456, con figure e facsimili nel testo e 8 tavole fuori testo, legatura editoriale con sopraccoperta figurata. Collana Biografie.

[The Drawings of Leonardo da Vinci and His Circle in the Public Collections in France. Arranged and Presented by Pietro C. Marani]. Ordinati e presentati da Pietro C. Marani. Firenze, Giunti 2009, cm.33,5x 48,8, pp.394, 114 tavole a colori. Cofanetto sagomato a scatola contenitore con all'interno ampio volume di trascrizione e commento alle tavole e le tavole sciolte in facsimile. Il cofanetto è rilegato in tutta pelle con internamente sguardie in raso,. Coll.Leonardo da Vinci. Edizione Nazionale dei Manoscritti e dei Disegni. The Department des Arts Graphiques at the Musée du Louvre in Paris conserves what is possibly the most important collection of drawings by Leonardo and his circle in Europe, after that housed in the Royal Library at Windsor. Considered together with the other French collections, that of the Louvre, begun by the King of France Louis XIV and augmented over the centuries, offers an unrivalled overview of Leonardo’s graphics, highlighting all the techniques and all the various stylistic changes. They range from the first brush drawings executed on superfine linen cloth recalled by Vasari, the pen and ink drawings relating to the Adoration of the Magi and the Madonnas of his early maturity, the drawings in red chalk of the early Milan period, right through to the celebrated drawing, colored using mixed technique, with the Portrait of Isabella d’Este and the studies for Saint Anne. The collection presents all Leonardo’s scattered drawings conserved in the following French museums: Musée de Louvre, École Nationale Supérieure des Beaux-Arts, Institut Néerlandais, Fondation Custodia, Collection Frits Lugt, Musé Bonnat (Bayonne), Musée des Beaux-Arts (Rennes). Limited edition of 998 copies, supplied with leather covered clamshell case for the facsimiles and text volume in half leather.