Picasso in The Metropolitan Museum of Art.

New York, Metropolitan Museum of Art 1991, cm.32x26, formato albo. pp.450 illustrato a colori. legatura editoriale cartonata con sopraccoperta figurata a colori. Issued in conjunction with a 1991-1992 exhibition of artwork by French Post-Impressionist Georges Seurat (1859-1891). The annotated and illustrated catalogue presents an amazing 231 works. Includes a biographical chronology and several appendixes. Jam-packed with information and wonderful illustrations.

Edizione aggiornata e ampliata de "L'Arte Moderna 1870-1970". Firenze, Sansoni Ed. 1980, cm.24,5x33, pp.526, 956 illustrazioni e tavole in bn.e a colori nel testo , legatura editoriale in tutta tela,. Coll.Storia dell'Arte Classica e Italiana,5.

Architettura, pittura , scultura. A cura di Rolf Toman. Fotografie di Achim Bednorz. Milano, Edizioni Gribaudo 2003, cm.20x24,5, pp.256, illustrazioni in bianco e nero e a colori. legatura editoriale cartonata in mezza tela, con copertina figurata a colori.

With essays by Jodi Hauptman, Matthew Affron, Beth Handler, Kristen Erickson. New York, The Museum of Modern Art 1998, cm.26,5x25, pp.304 illustrato a colori. brossura con copertina figurata a colori. Fernand Lager is the only major modern artist to choose modernity itself as his subject. From his early series Contrastes de formes of 1913-14--the first fully abstract works to emerge from Cubism--through his paintings of construction workers from the late 1940s and early 1950s, his enduring subject was the pulse and dynamism of everyday life. Lager saw the 20th century environment as a "state of contrasts," a condition that he translated into art through forceful juxtaposition of shape, color, and line. His attempt to reconcile the formal concerns of artmaking with issues of social responsibility continues to be relevant to the art world of today. Accompanying texts recount Lager's experience of and interest in America and America's interest in him; explore refractions of Lager's interests in the work of more recent artists; and discuss Lager's ambition to make an art reflecting the "new visual state" of modern life. An illustrated chronology tells the story of the artist's life, focusing on his time in America, the plate section is complemented by a series of short essays tracing the formal and thematic developments in his art, and a selected bibliography and detailed exhibition history complete the book.This book was published to accompany the 1998 retrospective at The Museum of Modern Art, New York.

Foreword by Richard B. Woodbury. Albuquerque, University of New Mexico Press 1987, cm.21,5x28, pp.XIV,296 illustrato a colori. brossura con copertina figurata a colori. The Anasazi Indians of the Southwest represent 2,500 years of cultural continuity, from the early Basket Makers of 700BC to their modern descendants, the Pueblo Indians. The pueblos and cliff dwellings they built during their halcyon days between 1100 and 1500AD are the most spectacular ruins north of Mexico. In this book, all of the significant and accessible Anasazi ruins are photographed and described in detail. Special attention is paid to the magnificent sites of Mesa Verde, Chaco Canyon, Canyon de Chelly, and Kayenta. Also included are illustrations of rock art and examples of the delicate jewellery and beautiful ceramics that have survived.