Senlis berceau de la France.

Con un saggio introduttivo di Bruno Caizzi. Bari, Laterza 1967, cm.11x18, pp.203,(5), brossura, cop.fig.a 2 colori. Collana UL,56.

Ristampa anastatica della prima ediz.del 1889-1891 a cura di O.Nuccio. Roma, Ateneo & Bizzarri Ed. 1969, cm.16x21,5, pp.XII,336, brossura Collana Ristampe Anastatiche di Opere Antiche e Rare,XCVIII.

London, Thames & Hudson 1992, cm.20x27, pp.332 illustrato con fotografie bn. d 'epoca e a colori. legatura editoriale cartonata con sopraccoperta figurata. Summary: An examination of the art of Nazism, exploring the development of a traditional German style linked to nature and the family, and the suppression of modern art. Adam's research took him to concealed repositories in the US and Germany, and he uses many illustrations from contemporary publications. Contents: The Nordic myth: National Socialist ideology The ringmasters The practice of National Socialist ideology The turning point The art of seduction The "great German art exhibitions" The exhibition of "degenerate art" The visualization of National Socialist ideology Sculpture Hitler and the architects Hitler's building sites The vernacular style The false dawn of a new art.