Tutte le Opere. Vol.I: Poesie.

A cura di Sergio Romagnoli. Napoli, Ricciardi Ed. 1952, cm.15x23, pp.XXX,1200, legatura ed.in tutta tela. Collana Letteratura Italiana.Storia e Testi,57.

A cura di Paolo Ruffilli. Pordenone, Studio Tesi Edizioni 1987, cm.14x23, pp.XXX-147, brossura con copertina figurata a colori. Coll. Il Flauto Magico, 10.

A cura di Angelo Romano. Roma, Salerno Ed. 1990, cm.12x16,5, pp.136, brossura copertina figurata. Collana Minima.

Milano, Casa Editrice Monanni 1931, cm.13x20, pp.815, brossura copertina figurata.

A cura di Gianni Scalia. Bologna, Cappelli 1971, cm.11,5x19, pp.274, brossura cop.ill.bn. Collana Universale.

Firenze, Le Monnier Ed. 1953, cm.12,5x19, pp.150, brossura Collana Letteraria.

Milano, Ediz.Carisch 1998, cm.23,5x31, pp.13, fascicolo, Collana 22440.

Plays in Production. Cambridge University Press 2008, cm.13,5x21, pp.228, brossura cop.fig. This 1995 critical study of Ibsen's A Doll's House addresses fundamental questions of text, reception and performance. What is the definitive 'version' of A Doll's House: original text, translation, stage presentation, radio version, adaptation to film or television? What occurs when a drama intended for recipients in one language is translated into another, or when a play written for the stage is adapted for radio, television or film? And to what extent do differences between the media and between directorial approaches influence the meaning of the play text? Discussions of these issues include an internal analysis of the dramatic text and comparative performance analysis, framed by the biographical background to the play and its impact on dramas by Strindberg, Shaw and O'Neill and on films by Ingmar Bergman. The book concludes with a list of productions and a select bibliography.