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Enzo Zacchiroli.

Autore:
Curatore: Saggio introduttivo di G.K.Koenig.
Editore: Alinea Ed.
Data di pubbl.:
Dettagli: cm.22,5x22,5, pp.237, num.tavv.bn.e col.nt. brossura cop.fig.a col. Testo in italiano e inglese.

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Versione in italiano di G.A.Cesareo. Milano, A.Mondadori 1934, cm.15x20,5, pp.XXIX,122, brossura intonso, sopraccoperta in velina rimboccata. Ediz. in 550 esemplari numerati.
Usato, molto buono
EUR 33.00
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#325237 Arte Pittura
Presentazione di Emma Micheletti. Milano, Skira per Corriere della Sera 2004, cm.17x21, pp.189,num.tavv.a col. brossura con bandelle e copertina figurata a colori. Collana I Classici dell'Arte,57.
Nuovo
EUR 7.00
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#330793 Arte Pittura
Presentazione di Marco Vallora. Milano, Skira per Corriere della Sera 2011, cm.17x21, pp.189, numerose tavole a colori, brossura copertina figurata a colori. Collana I Classici dell'Arte,53.
Usato, come nuovo
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#338893 Arte
Harry N Abrams Inc 2002, cm.24x28, pp.160, brossura con bandelle e copertina figurata a colori. With the death of Balthus in February 2001, the world lost one of the greatest painters of the twentieth century. Born into an aristocratic Polish family in 1908, Balthus grew up amid the most cultivated and artistic circles of Geneva, Berlin, and Paris. Brilliantly precocious, he developed early his dual fascinations with the East and with Europe's old masters - inspirations that show in the poise and peculiar timelessness of his paintings. But his work is also suffused with an eroticism and a sense of mystery that betray more modern influences. Balthus was an artist of unflinching integrity. Out of step with the modern movement, he pursued his artistic vision in relative obscurity, hailed by only a tiny group of connoisseurs, until the 1960s. By the mid-1980s his work had achieved international renown, but he remained acutely wary of public scrutiny. He believed passionately that his paintings were to be looked at, not read about, or read into. As a result the enigmatic aura of his art came to envelop the man himself - even when, in his later years, he finally let down his guard and allowed journalists and scholars into his magnificent chalet home at Rossiniere in the Swiss Alps. Following his father's death, Stanislas Klossowski de Rola has written a new introduction to this book, which presents Balthus's most important paintings. New to this expanded edition are Balthus's last painting, The Waiting, and the controversial Guitar Lesson from 1934. Rare photographs show the young Balthus in his studio, while more recent images by the legendary photographer Henri Cartier-Bresson, the artist's friend, complete this tribute to one of the great artists of recent times.

EAN: 9780810921191
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