Lieu sacré, lieu d'images. Les fresques de Bominaco (Abruzzes,1263). Thèmes, parcours, fonctions.

Traduz.di Valeria Scorpioni. A cura di Aldo Ruffinatto. Torino, Fògola Editore 1978, cm.21,5x31, legatura ed.cartonata, sovraccop., cofanetto. Coll.La Grande Collana. Ediz. num.di 300 esemplari ,il ns.reca il.n.217.

Il primo libro sulla Bike Week, oltre 150 immagini a colori. Majano, Casa Editrice Custom s.d.circa 1995, cm.20,5x24, pp.130, brossura cop.fig.a col.

Selected and introduced by N.M. Swerdlow and T.H. Levere. Toronto-Buffalo-London, University of Toronto Press 1999, un vol. di 3, cm.15,5x23,5, pp.VIII,380,(4), un ritratto fotogr. dell'A. all'antiporta e alcune figg. , brossura,, copertina fig. a 2 colori.

London, Weidenfeld & Nicolson 2010, cm.15,5x24, pp.328, hardcover, clothbound, dust jacket. The subtitle of this wonderful memoir declares its contents: this is 'my life with Harold Pinter', not Lady Antonia Fraser's complete life, and certainly not his. In essence, it is a love story and as with many love stories, the beginning and the end, the first light and the twilight, are dealt with more fully than the high noon in between. The result is a marvellously insightful testimony to modern literature's most celebrated marriage, between the greatest playwright of the age and a beautiful and famous prize-winning biographer.