Taide.

Prefazioni di L.De Nardis.Traduz.di F.Chiesa, S.Catalano, E.Piceno, G.Marcellini. Torino, UTET 1978, cm.11x18, pp.XXXV,713, legatura editoriale cartonata, titoli in oro al dorso. Coll.Scrittori del Mondo i Nobel.

Trad.di E.Baggi Regard. Milano, Serra e Riva Ed. 1982, cm.12,5x20,5, pp.212, brossura cop.fig.bn. Coll.Biblioteca del Minotauro,35.

Lithographie originale de Van Dongen. Paris, Imprimerie Nationale André Sauret Editeur 1950, cm.16,5x22, pp.360, brossura Coll.Grand Prix. Des Meolleurs Romas du Demi Siécle. Edition de 3000 esemplaires sur velin des papeteries d'arches numérotés

Paris, Calmann-Lévy Editeurs 1931-1957, 24 voll.in 26 tomi, cm.19x25, num.xilografie intercalate nt.in ciascun vol. brossura con sopracoperte. [esemplare in ottimo stato di conservazione]. Portrait d'A. France grave' a la pointe seche par Edgar Chahine et les compositions de Maxime Dethomas gravees sur bois par E. Gasperini **** In antiporta ritratto di A.France da un'incisione a punta secca di Edgar Chahine e illustrazioni di Maxime Dethomas incise su legno da E.Gasperini. Tomo I: Alfred de Vigny Etude Poésies,pp.428, tomo II: Jocaste et le chat maigre, le crime de Sylvestre Bonnard,pp.515, tomo III: Les désirs de Jean Servien, Le livre de mon ami,pp.450, tomo IV: Nos enfants Balthasar,pp.366, tomo V: Thais l'etui de Nacre,pp.498, tomo VI: Le vie littéraire,pp.677, tomo VII: La vie littéraire,pp.735, tomo VIII: La rotisserie de la Reine Pédauque. Les opinions de Jérome Coignard,pp.525, tomo IX: Le Lys Rouge, Le jardin d'Epicure,pp.546, tomo X: Le puits de Sainte Claire Pierre Nozière,pp.527, tomo XI: Histoire Contemporaine, L'orme du mail, le mannequin d'Osier,pp.473, tomo XII: L'Anneau d'Améthyste Monsieur Bergeret a Paris,pp.571, tomo XIII: Clio histoire comique sur la Pierre Blanche,pp.570, tomo XIV: Crainquebolle, Putois, Riquet et plusieurs autres récits profitables. Crainquebille (comédie en trois tableaux), Le manniquin d'Osier (comedie en quatre actes). Au petit bonheur (comedie en un acte),pp.578, tomo XV: Vie de Jeanne d'Arc,I,pp.600, tomo XVI: Vie de Jeanne d'Arc,II,pp.478, tomo XVII: Rabelais, Auguste Comte, Pierre Laffitte,pp.330, tomo XVIII: L'Ile des pinguins, La comédie de celui qui epousa une femme muette (comédie en deux actes),pp.494, tomo XIX: Les contes de Jacques Tournebroche, Les sept femmes de la Barbe-bleue,pp.355, tomo XX: Les dieux ont soif,pp.360, tomo XXI: Le génie latin, Les poèmes du souvenir,pp.391, tomo XXII: La révolte des Anges,pp.334, tomo XXIII: Le petit Pierre, La vie en fleur,pp.601, tomo XXIV: Pages d'histoire et de littérature,I,pp.403, tomo XXV: Pages d'histoire et de littérature,II,pp.456, +(fuori numerazione): Le livre d'or du centenaire d'Anatole France 1844-1944,pp.304.

Koekelberg,18 Agosto 2007 - 16 Marzo 2008. Firenze, Cartei & Bianchi Ed. 2007, cm.24x28, pp.175, num.ill.a col.nt. brossura con bandelle, cop.fig.a col. A special event placed under the High Patronage of HIS MAJESTY KING ALBERT II In celebration of the fi ftieth anniversary of the establishment of the European Community (1957-2007) a most spectacular Leonardo exhibition in the grand Koekelberg Basilica on the outskirts of Brussels (August 18, 2007-March 15, 2008) is having an unprecedented success on account of the skillful and most attractive presentation of every aspect of Leonardo's powerful mind as made evident by his work as an artist, scientist and technologist shown in its historical and cultural context through original documents, excellent reproductions of works of art, original paintings and drawings as well as an actual size photograph on silk of the monumental and celebrated early copy of Leonardo's Last Supper in the Tongerlo Abbey.The exhibition also includes original manuscripts and drawings by Leonardo, the foremost presence being that of the Codex on the Flight of Birds, the loan of which has been exceptionally granted by the Royal Library in Turin for the fi rst time to a location outside Italy.I feel that I must not neglect to repeat the exact words which I heard from the King's own lips about him, which he told me in the presence of the Cardinal of Ferrara, the Cardinal of Lorraine, and the King of Navarre. He said that he did not believe that there had ever been another man born into the world who had known as much as Leonardo, and this not on matters concerning Sculpture, Painting, and Architecture, but because he was a great Philosopher.Benvenuto Cellini (1542)