Il rosso è il suo barocco. Il mondo di Aligi Sassu.

Bologna, Ediz.Bora 1989, cm.18x23, pp.ca.80, 70 tavv.a col.nt. brossura cop.fig.a col. Coll.Polivalente,21.

Milano, Electa 1994, cm.20,7x28, pp.63,(1), alcuni disegni e una foto in nero nt. e 30 tavv. a colori ft., brossura, sopraccoperta fig. a colori.

A cura di Gimmi Stefanini. Galleria d'Arte Pace 1995, cm.25x33, pp.LIV,424, centinaia di tavv.bn.e a col.nt. legatura ed.in tutta tela,soprac.fig.a col.con custodia.

Verona, Ediz.Ghelfi 2003, cm.21x24, pp.80 ill.a colori. brossura copertina figurata a colori.

Roma, Bulzoni Ed. 2004, cm.17x24, pp.704, alcune tavv.bn.nt. brossura con bandelle, cop.fig.a col. Coll.Euro-Ispanica,6.

Bari, Edizioni Laterza 1973,1974, 2 tomi, cm.17,5x25, pp.X,660,X,691, con tavv.bn.nt. legature editoriali in imitlin, titoli in oro ai dorsi, in cofanetti con piatti figg.a col. Coll.Grandi Opere.

(in lingua inglese). Pisa, Ediz.ETS 2004, cm.14x21, pp.216, brossura cop.fig. Coll.Poiesis e Critica Mitica,33. This text investigates the poems of Christina Rossetti and uncovers the latent inter- and hypertextual relationships they have with the writings of her father, with Italian literature, and, in particular, with the writings of Metastasio and Dante. Intertextuality in Rossetti emerges at various levels and is evident in her language as it is in her style, in her concepts as it is in the content of her works, and yet analysis evinces that her corpus undergoes a gradual and yet profound transformation over the years in spite of the deeply entrenched influence of Metastasio and her father, and his works on Dante. In fact, if at the beginning she tries to acquire their same harmonious and melodic ease of expression, later she moves successfully beyond them, and her relationship with her sources becomes hypertextual, and her poems independent compositions, works of art in their own right.

Traduzione di Marina Valente. Milano, Longanesi 1981, cm.24,5x33,5, pp.352, 800 figure di cui 400 a colori, legatura editoriale cartonata in imitlin con stampa in oro. Coll.I Marmi. I Grandi Libri Illustrati. 101.