A girafe, girafe et demie.

Traduction Gaelle Retureau. Adaptation Françoise Pommet. Paris, Passage Pietons 2005, cm.25,5x22,5, pp.n.n.(60), numerosi diss.in bn.nt., legatura ed.carton., piatti figg., sovraccop.fig. Stato di nuovo. Ediz.bilingue (francese,inglese).

Harper Collins 2005, cm.19x22, pp.89, hardcover with dustjacket.

Rome, 17-19 Mai 1990. Avec le concours de l'Univ.de Rome, La Sapienza. Rome, Ecole Française de Rome 1992, cm.17x24, pp.364, brossura cop.con bandelle. Collection de l'Ecole Française de Rome,161.

London, The Women Press 1985, cm.12,5x19,8, pp.VIII,167, brossura, cop.fig.a col. (timbro di libreria in II di cop. e prezzo timbrato all'occhietto ma copia in bu

Introduction by Zhang Ga. Text by James Bridle, Liu Xiaodong. Interview by Karen Archey. Lison Gallery 2019, cm.24x21 pp.152, ill.bnw and colour. hardcover. ince 2015, Chinese painter Liu Xiaodong (born 1963) has been developing a technologically radical project to create landscape paintings using robotic arms and surveillance cameras. Collectively entitled Weight of Insomnia, this series of paintings is an attempt to quantify the emotional burden carried by people moving through the seemingly ceaseless surroundings of the 24-hour city. Taking live feeds, streaming data and imagery from specific locations, Liu’s painting machine processes these real-time images of the ever-changing flow of humanity into a complex network of abstract marks on canvas, resulting in a machine-manufactured painting. This book is the first to publish the full extent of this project through its iterations in China, Germany, the UK and Australia. The volume also includes an interview with the artist as well as Liu’s diaries written during the project’s gestation, installation shots and working documents.