Oceans in Art.

Translated from German by Erika Pauli. Milwaukee (WI), Gareth Stevens Publishing 2006, cm.17x24, pp.32, interamente illustrato a colori, legatura ed.cartonata, cop.fig.a colori. [copia come nuova.] Collana What Makes a Masterpiece?

Translated from German by Erika Pauli. Milwaukee (WI), Gareth Stevens Publishing 2005, cm.17x24, pp.32, interamente illustrato a colori, legatura ed.cartonata, cop.fig.a colori. [copia come nuova.] Collana What Makes a Masterpiece?

Translated from German by Erika Pauli. Milwaukee (WI), Gareth Stevens Publishing 2005, cm.17x24, pp.32, interamente illustrato a colori, legatura ed.cartonata, cop.fig.a colori. [copia come nuova.] Collana What Makes a Masterpiece?

Translated from German by Erika Pauli. Milwaukee (WI), Gareth Stevens Publishing 2006, cm.17x24, pp.32, interamente illustrato a colori, legatura ed.cartonata, cop.fig.a colori. [copia come nuova.] Collana What Makes a Masterpiece?

Venezia, Ist.Veneto di Scienze, Lettere ed Arti 1958, cm.16,5x24, pp.70, con una tav.ripiegata ft. brossura Collana Varie e Atti di Convegni.

London, Edward Arnold 1976, cm.15,5x23,2, pp.(4),68, brossura, cop.fig. a 2 col. (cop. ingiallita, altrimenti ottimo esemplare.) First edition. This introduction to the study of later medieval England is both a survey of changing historical judgements and a fresh and independent interpretation of political realities in the period 1450 to 1509. The author first examines the historiographical background. He shows how intensive research in neglected archives has undermined the picture of 'a worn-out, helpless age' which discouraged historians after Stubbs. The most fundamental revision of opinion concerns the political relationship and roles of crown and nobility, and this the book's central theme.

Scarperia 13 Giugno 2015. A cura di Renato Stopani. Firenze, Centro Studi Romei 2015, cm.20,5x27, pp.126, brossura cop.fig.a col. Collana De Strata Francigena. Studi e Ricerche sulle vie di Pellegrinaggio del Medioevo.,XXIII,1.