La carrozza di rame.

Milano, Mondadori 1975, cm.15x22, pp.290, legatura editoriale con sopraccoperta figurata a colori. Coll.Scrittori italiani e Stranieri. Prima edizione.

Prefaz.di Marco A.Bazzocchi. Premio Strega 1985. Torino, UTET Fondazione Maria e Goffredo Bellonci onlus 2006, cm.12x18, pp.XI,364, legatura editoriale in tutta tela, sopraccoperta, cofanetto. Collez.Premio Strega. I 100 Capolavori.

Fotografie di G.Cigolini. Novara, Ist. Geografico De Agostini 1998 cm.17x25, pp.76, num.tavv.a.col.nt. legatura ed.cop.fig.a col. Coll.Documenti d'Arte.

Milano, Mondadori 1991, cm.15x22, pp.370, legatura ed. Coll.Scrittori italiani e Stranieri. Prima edizione.

Firenze, Sansoni 1962, cm.18x25, pp.740, 2 ritr.bn.a p.pag.ft. brossura Coll.di "Ricerche Slavistiche",1.

Koln, Taschen 2008, cm.30x42, formato albo. pp.592, centinaia di figure bn.e a colori nel testo, legatura editoriale in mz.tela. An in-depth exploration of Bergman’s complete works. On November 24, 2008 The Ingmar Bergman Archives editors Paul Duncan and Bengt Wanselius won the August Prize 2008 for the Best Non-Fiction Book published in Sweden. This is the most prestigious literary prize in Sweden, voted for by booksellers and librarians throughout the country. The complete works of Ingmar Bergman: an homage to one of the most esteemed film and theater artists of all time, began in cooperation with Bergman himself and made with full access to his archives. Since 1957, when he released The Seventh Seal and Wild Strawberries, Ingmar Bergman has been one of the leading figures in international cinema. In a career that spanned 60 years, he wrote, produced, and directed 50 films that defined how we see ourselves and how we interact with the people we love, in films like Persona, Scenes from a Marriage, and Fanny and Alexander. Before his death in 2007, Bergman gave TASCHEN and the Swedish publishing house Max Ström complete access to his archives at The Bergman Foundation, and permission to reprint his writings and interviews, many of which have never been seen outside of Sweden. Picture researcher Bengt Wanselius, who was Bergman’s photographer for 20 years, scoured photo archives all over Sweden, discovered previously unseen images from Bergman’s films, and selected unpublished images from the personal archives of many photographers. Text editor Paul Duncan gathered a team of Bergman experts as contributing editors—Peter Cowie and Bengt Forslund (for film/TV), and Ulla Åberg & Birgitta Steene (for theater)—who have researched and written a narrative that, for the first time, will combine all of Bergman’s working life in film and theater. Such is the depth of Bergman’s writings that most of the story is told in his own words.

New York, The Metropolitan Museum of Art, The Pierpont Morgan Library 1971, cm.20x26,5, pp.433, 300 tavv.+46 ill.bn.nt. legatura ed.in tutta tela, sopraccop.ill.

Firenze, Pontecorboli Editore 1997, cm.13,5x22, pp.94, brossura, copertina figurata a colori. Una scoperta sconvolgente durante il restauro di un antico palazzo senese, la ricerca, la comparsa improvvisa di persone incontrate solo apparentemente per caso, la partenza affrettata, un'ospitalità romana imprevista. Il ritrovamento di oggetti indecifrabili in una camera sepolta nel Sud di Federico II; il documento segreto nella borsa scambiata; il naufragio tra figure di sogno nelle nebbie di Venezia. Quattro frammenti di tempo legati fra loro da un filo impercettibile, quattro icone attraverso le cui porte si accede al mistero dell'esistenza che sempre si avverte senza mai conoscere.