Les Enluminures (Moyen Age - Renaissance). Catalogue 7: Ces choses: l'objet passé-présent / Things: The object past and present.

Grand Palais, 11 Octobre 1979 -7 Janvier 1980. Paris, Editions de la Réunion des Musées Nationaux 1979, cm.23,8x21, pp.326, 678 ill.bn.e col. brossura cop.fig.a col.

Collections of the City Art Gallery. Roma, De Luca 1982, cm.21x24, pp.80, 99 ill.bn.e col.nt. brossura cop.fig.a col. Testo in inglese.

Tate Gallery for the Yale Center for British Art. London, Tate Gallery 1981, cm.22,5x29, pp.XXII-258, 25 tavv.a col.nt.e 111 tavv.bn.ft. legatura ed.scritte e fregi oro al piatto e al dorso,soprac.fig.a col. Coll.Sport in Art and Books the Paul Mellon Collection.

Vol.I: edited by F.G.Kenyon (London, 1893). Vol.II: edited by F.G.Kenyon (London, 1898). Vol.III: edited by F.G.Kenyon, H.I.Bell. (London, 1907). Vol.IV: The Aphrodito Papyri. Edited by H.I.Bell with an Appendix of Coptic Papyri by W.E.Crum (London, 1910). Vol.V: edited by H.I.Bell . (London, 1917). Ristampa anastatica autorizzata dal British Museum di Londra. Milano, Cisalpino Goliardica Ed. 1974-1977, 5 volumi completo. cm.24,5x33. 17x24, pp.XX,296,XLII,408,LXXIV,388,XLVIII,648,XVI,376, legature editoriali cartonate, titoli in oro ai piatti anteriori e dorsi. Coll.Papirologia. Vol.I: edited by F.G.Kenyon (London, 1893). Vol.II: edited by F.G.Kenyon (London, 1898). Vol.III: edited by F.G.Kenyon, H.I.Bell. (London, 1907). Vol.IV: The Aphrodito Papyri. Edited by H.I.Bell with an Appendix of Coptic Papyri by W.E.Crum (London, 1910). Vol.V: edited by H.I.Bell (London, 1917).

Lucca 5-10 Ott. 1981. Lucca, Ist.Storico Lucchese 1984-1985, cm.16x24, pp.XXV-450, brossura soprac.fig.a colori. Monogr.di Actum Luce. Rivista di Studi Lucchesi. intonso

Sharon Bezaly - Flute Vadim Gluzman - Violin Sao Paulo Symphony Orchestra and Choir John Neschling - conductor Genere: Classical - General. BIS 2009, 1 CD, Playing Time: 63 min. AudioCD,

Storia di una identità distorta. Roma-Bari, Laterza 1995, cm.13x21, pp.228, legatura editoriale, soprac.fig.a col. Collana Fare l'Europa.

Préface Nicolas Florian. Text in English and French. Norma Éditions 2019, cm.22,5x30, pp.192, 400 illustrations Broché. During the 1980s, the Memphis group, founded by Ettore Sottsass, revolutionised the European design scene, radically reinventing the language of form and colour and challenging the status quo of functionalist design. Memphis was preceded in 1976 by the Milan-based avant-garde collective, Studio Alchimia. Sottsass, who designed for Studio Alchimia, left to form Memphis in 1981 and would ultimately attract leading designers such as Andrea Branzi, Michael Graves, Shiro Kuramata, Alessandro Mendini, Marco Zanuso and Nathalie Du Pasquier to the movement. They rejected the austerity of mid-century modernists like Mies van der Rohe and Le Corbusier and approached the object with an unfettered, often irreverent, visual vocabulary and an exuberant sense of play applied to shape, material, and pattern. This book, the catalogue for a show at MADD-Bordeaux, looks at the genesis of the Memphis collective and the furniture, household objects, glassware, lighting, ceramics, and textiles they designed. It reproduces nearly all the pieces they produced between 1981 and 1988, around 400 works, and includes first-hand accounts by some of its founding members.