The Cambridge Songs (Carmina Cantabrigiensia).

--Vol.I fasc.I * I Kotet, 1 Fuzet. (a,ab,abs-aeternaliter) --Vol.I fasc.II * I Kotet, 2 Fuzet. (aeternaliter-Assignatio) --Vol.I fasc.III * I Kotet, 3 Fuzet. (Assignatio-Byzantius) --Vol.II fasc.I * II Kotet, 1 Fuzet. (caballa-Cliciarius) --Vol.II fasc.II * II Kotet, 2 Fuzet. (Cliciarius-Coror) --Vol.II fasc.III * II Kotet, 3 Fuzet. (Conor-czwkarum). Budapest, Akademiai KIado 1991, 6 fasc. cm.21x29,5, pp.VIII,366,VIII,460, brossura.

Unveränderter Nachdruck der 1951 im Verlag Hermann Böhlaus Nachfolger, Weimar, erschienenen Ausgabe. Mit Unterstützung von Otto Schumann. Herausgegeben von Karl Strecker. München, Monumenta Germaniae Historica 1978, cm.21x30, pp.VIII,230,(2), brossura Collana Monumenta Germaniae Historica Inde ab Anno Christi Quingentesimo usque ad Annum Millesimum et Quingentesimum.

Gainesville - Jacksonville, University Press of Florida, 1994, cm.14,5x21, pp.XIV,234, paperback. "A unique witness to a debate central to medieval studies caught in all the fire of its initial explosion but tempered by the invitation to seek what the future may hold. . . . The issues are . . . embedded in a context that orients them in new directions."--Margaret Switten, Mount Holyoke College In these spirited essays, contributors across a broad spectrum reassess the study of the Middle Ages in the context of today's rapidly changing world. They address concerns ranging from the impact of the end of the cold war on medieval studies to the relationship between philology and twentieth-century poetry, to new views of the long-term history of sexuality. At the crux of the discussion lies the problem of how editors should treat the medieval text, the subject of renewed debate between scholars who believe that the editor and the printed book must enter into the reader's perception of the text and those who advocate a more direct analysis of the medieval manuscript source. The primary focus is on the study of the Middle Ages in France, but areas of concern extend to Spain, Italy, and Germany. Because the book includes disagreement and competing views of the state of medieval studies today, it allows the reader to gauge the breadth and depth of the debate and to anticipate directions of future study. Contents Introduction PHILOLOGY IN HISTORY Scholars at a Perilous Ford, by William D. Paden A Philological Invention of Modernism: Menendez Pidal, Garcia Lorca, and the Harlem Renaissance, by Hans Ulrich Gumbrecht TRADITION AND INNOVATION Is There a New Textual Philology in Old French? Perennial Problems, Provisional Solutions, by Peter F. Dembowski The Future of Old French Studies in America: The "Old" Philology and the Crisis of the "New," by Rupert T. Pickens Philology and Its Discontents, by Stephen G. Nichols NEW DIRECTIONS Beyond the Borders of Nation and Discipline, by Joan M. Ferrante Old French Literature and the New Medievalism, by R. Howard Bloch William D. Paden is professor of French and chair, Department of French and Italian, Northwestern University. He is coeditor of The Poems of the Troubadour Bertran de Born and editor of The Voice of the Trobairitz: Perspectives on the Women Troubadours and of the two-volume edition of The Medieval Pastourelle, which was named a Choice Outstanding Academic Book 1988-89.

London, Variorum Reprints 1980, cm.15,5x23,5, pp.368, leg ed. in tutta tela, titolo in oro al dorso. Collected Studies Series.